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A Critical Forum on Media and Culture

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Category: 18.04

Blessed Be the Peacemakers: TV Drama’s White Christianity a Decade After 9/11
Jorie Lagerwey/ University College Dublin

August 13, 2013 Jorie Lagerwey / University College Dublin Leave a comment

A look at the place of religion a decade after 9/11.

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The Barest of Them All: The Personal Politics of Maron
Kathleen Collins / John Jay College

August 13, 2013 Kathleen Collins / John Jay College, CUNY Leave a comment

An examination of the personal politics of comedian Marc Maron.

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Breaking the Country Mold: Non-Normative Masculinities in Nashville
Jennifer Reinwald / University of Texas at Austin

August 13, 2013 Jennifer Reinwald One comment

An exploration of the country music star image as portrayed in ABC’s Nashville.

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“I Like My Jesus Dressed Like Superman”: Niche Marketing and Man of Steel
Matthew Krebs / University of Texas at Austin

August 13, 2013 Matthew Krebs 5 comments

A consideration for the Christian niche market strategies used by Warner Bros.

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Naked and Afraid: (Wo)man Survives Reality
Rebecca Provost / Utica College

August 13, 2013 Rebecca Provost / Utica College 2 comments

An exploration of the extreme reality TV show, Naked and Afraid.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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Isabel Molina-Guzmán discusses how Bridgerton's escapist narrative produces a nostalgia that simultaneously erases histories of racial conflict, generates pleasure in non-white audiences, and maintains white subjectivity. @LaProfaMolina

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https://www.flowjournal.org/2022/05/bridgertons-romance-with-racial-nostalgia/

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20 May

Sarah E.S. Sinwell details how one art house cinema continues to adapt to the pandemic while serving its local community. @sinwelleffect

Read more at:
https://www.flowjournal.org/2022/05/portrait-of-an-art-house-during-a-pandemic-part-2/

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19 May

Maggie Hennefeld discusses efforts to curate 99 silent films spotlighting early film feminism, and discusses the challenges of navigating the early feminist film archive. @magshenny

Read more at:
https://www.flowjournal.org/2022/05/cinemas-first-nasty-women/

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