Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Category: 25.02

From Inclusion Riders to Cultivating Care: What Lifetime Can Teach The Industry about Entertainment By and For Women
Miranda J. Banks and Kristin J. Lieb / Emerson College

January 29, 2019 Miranda Banks / University of Southern California and Kristin Lieb / Emerson College One comment

Miranda Banks and Kristin Lieb map how The Lifetime Television Network has cultivated an increasingly inclusive and compelling model of media made by and for diverse women.

Read more

Just Saying No: Labour, Gender, and Refusal in Twitch Streaming
Alison Harvey / University of Leicester

January 29, 2019 Alison Harvey / University of Leicester Leave a comment

Alison Harvey contextualizes Twitch streamer Tyler “Ninja” Blevins’ refusal to stream with female gamers within digital culture practices and historically gendered patterns of labour.

Read more

The Female Labor of Lennon Parham and Jessica St. Clair Playing House
Kelly Kessler / DePaul University

January 29, 2019 Kelly Kessler 2 comments

Kelly Kessler considers Playing House and the considerable labor performed by its creator/stars Lennon Parham and Jessica St. Claire to nurture the program’s content, advertisers, and fans.

Read more

Fandom, Fan Studies, and the New Education
Josh Stenger / Wheaton College (Massachusetts)

January 29, 2019 Josh Stenger Leave a comment

Josh Stenger considers how fan studies is uniquely positioned to help colleges and universities reexamine, and hopefully even transform, how, whom, and why they educate.

Read more

Punk, Disco, Porn—The Deuce ’77—Part 1
Matthew Tchepikova-Treon / the University of Minnesota, Twin Cities

January 29, 2019 Matthew Tchepikova-Treon Leave a comment

Matthew Tchepikova-Treon analyzes the complex depiction of seventies punk culture in Season Two of The Deuce with specific focus on historical contextualization and formal aesthetics of the (sub)cultural movement.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

Reply on Twitter 1884761812777754705 Retweet on Twitter 1884761812777754705 Like on Twitter 1884761812777754705 2 Twitter 1884761812777754705
flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

Reply on Twitter 1873142787815968998 Retweet on Twitter 1873142787815968998 3 Like on Twitter 1873142787815968998 12 Twitter 1873142787815968998
flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

Reply on Twitter 1872372705070371178 Retweet on Twitter 1872372705070371178 2 Like on Twitter 1872372705070371178 2 Twitter 1872372705070371178
flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

Reply on Twitter 1871234809906823300 Retweet on Twitter 1871234809906823300 1 Like on Twitter 1871234809906823300 4 Twitter 1871234809906823300
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 91 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture