Video Art – Flow

**Moholy-Nagy’s Dynamik der Gross-Stadt (1920-1921): An Illustration of the Limits of Reproducibility** of the Historical Avant-Garde and the Epistemological Value of Experimentation
Kelly Daniela Norris / University of Texas at Austin

August 7, 2026 Daniela Norris Leave a comment

Kelly Daniela Norris experiments with the limits of reproducibility of the historical avant-garde using Moholy-Nagy’s script, Dynamik der Gross-Stadt (1920)

Loops within Loops: Reflections on the work of Marco Brambilla
David Bering-Porter / The New School

September 19, 2016 David Bering-Porter / The New School Leave a comment

In his contribution to the Flow Special Issue on Loop Media, David Bering-Porter explores the role of the loop as a temporal form in the video collage work of artist and director Marco Brambilla, particularly his Megaplex series.

One Hundred and One Sinkholes: Notes on the Film Loop
Josh Guilford / Amherst College

September 19, 2016 Josh Guilford / Amherst College 2 comments

In his contribution to the Flow Special Issue on Loop Media, Josh Guilford examines the disruptions of the loop’s “erosive temporality” and its fostering of alternative viewing practices in Jenny Perlin’s installation piece, 100 Sinkholes.

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Moholy-Nagy’s Dynamik der Gross-Stadt (1920-1921): An Illustration of the Limits of Reproducibility of the Historical Avant-Garde and the Epistemological Value of ExperimentationKelly Daniela Norris / University of Texas at Austin

Loops within Loops: Reflections on the work of Marco Brambilla David Bering-Porter / The New School

One Hundred and One Sinkholes: Notes on the Film Loop Josh Guilford / Amherst College

**Moholy-Nagy’s Dynamik der Gross-Stadt (1920-1921): An Illustration of the Limits of Reproducibility** of the Historical Avant-Garde and the Epistemological Value of Experimentation
Kelly Daniela Norris / University of Texas at Austin

Loops within Loops: Reflections on the work of Marco Brambilla
David Bering-Porter / The New School

One Hundred and One Sinkholes: Notes on the Film Loop
Josh Guilford / Amherst College