TV Studies – Flow

AdiÃ³s, Gloria Delgado-Pritchett: Or Why SofÃa Vergara Sometimes Makes Me Cry
MarÃa Elena Cepeda / Williams College

February 1, 2021 MarÃa Elena Cepeda / Williams College 3 comments

After discussing current scholarship on SofÃa Vergara’s portrayal of Gloria Delgado-Pritchett, MarÃa Elena Cepeda proposes contextualizing Vergaraâ€™s Caribbean and diasporic identity, her class positionality, her gendered subjectivity, and her racial location for future scholarship on Vergara’s character.

The Gamification of Television? Bandersnatch, Video Games, and Human-Machine Interaction
Ryan Stoldt / The University of Iowa

November 4, 2019 Ryan Stoldt / University of Iowa 2 comments

Ryan Stoldt compares and contrasts interactive television film Black Mirror: Bandersnatch and video game Until Dawn to draw out how the formal elements of seemingly similar media can result in different types of audience engagement.

Audiences as Subscribers and Netflix’s Notions of Success
Lane Mann / University of Texas at Austin

July 22, 2016 Lane Mann 8 comments

Lane Mann looks into SVOD audience constructions, brand strategies, and definitions of success in order to understand the industryâ€™s ever-changing views of audiences.

AdiÃ³s, Gloria Delgado-Pritchett: Or Why SofÃ­a Vergara Sometimes Makes Me CryMarÃ­a Elena Cepeda / Williams College

The Gamification of Television? Bandersnatch, Video Games, and Human-Machine InteractionRyan Stoldt / The University of Iowa

Audiences as Subscribers and Netflix’s Notions of Success Lane Mann / University of Texas at Austin

AdiÃ³s, Gloria Delgado-Pritchett: Or Why SofÃa Vergara Sometimes Makes Me Cry
MarÃa Elena Cepeda / Williams College

The Gamification of Television? Bandersnatch, Video Games, and Human-Machine Interaction
Ryan Stoldt / The University of Iowa

Audiences as Subscribers and Netflix’s Notions of Success
Lane Mann / University of Texas at Austin