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Tag: streaming wars

“Streaming Wars and the Future of Video,” It’s Not What You Think…
Siobhan O’Flynn / University of Toronto

March 2, 2020 Siobhan O'Flynn / University of Toronto 3 comments

Siobhan O’Flynn critically analyzes how Netflix and The Walt Disney Company have employed specific strategies for their respective streaming platforms.

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Network(ed) Spectatorship: Nation, Nostalgia, and Broadcast Streaming on CBS All Access
Cara Dickason / Northwestern University

March 2, 2020 Cara Dickason / Northwestern University 35 comments

Cara Dickason uses CBS All Access’ The Good Fight to explore the role of the public interest when a broadcast network migrates to a streaming platform.

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Rethinking the Legacy of MVPDs Through Content Aggregation
Mike Van Esler / University of Wisconsin-Oshkosh

March 2, 2020 Mike Van Esler / University of Wisconsin-Oshkosh Leave a comment

Mike Van Esler considers the role of content aggregators and offers an ecological framework that focuses on the supraplatforms of the streaming media industry.

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Can Television Diversity Overcome the Rise of Algorithmic Recommendations?
Mark D. Pepper / Utah Valley University

March 2, 2020 Mark Pepper / Utah Valley University One comment

Mark D. Pepper ponders the effects of Netflix’s algorithm on categorization, diversity, and truth.

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A Streaming Comes Across the Sky: Peak TV and the Fate of Nostalgia
Siobhan Lyons / Macquarie University

March 2, 2020 Siobhan Lyons / Macquarie University Leave a comment

As audiences become ever more fragmented, Siobhan Lyons looks at the ways communal nostalgia is increasingly giving way to niche nostalgia.

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Confronting the Swarm: Streaming Platform Strategy in an Uncertain Age
Jake Pitre / Concordia University

March 2, 2020 Jake Pitre / Concordia University One comment

Focusing on the Criterion Channel, Jake Pitre interrogates the curatorial strategies of cinephilic streaming platforms.

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“Rainbow Is the New Black”: Netflix’s Queer Marketing Moment
Joseph Harrison / University of Warwick

March 2, 2020 Joseph Harrison / University of Warwick Leave a comment

Joseph Harrison takes up Netflix’s recent ambiguously political advertising campaign in Italy.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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