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Tag: Music Industry

Work Songs: Tiny Desk Concerts Reimagines Music Video and Public Radio
Eric Harvey / Grand Valley State University

March 26, 2025 Eric Harvey / Grand Valley State University Leave a comment

Eric Harvey examines the shifts in live music consumption with a focus on the evolution of NPR’s Tiny Desk Concerts.

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And You Love The Game: Stream-Pop as a Never-Ending Scavenger Hunt
Eric Harvey / Grand Valley State University

November 13, 2024 Eric Harvey / Grand Valley State University Leave a comment

Eric Harvey discusses how contemporary music stardom pulls fans and commentators into a rabbit hole of never-ending engagement.

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”Real EMO”: Mythologizing and Marketing EMO Music
Francesca Sobande / Cardiff University

December 13, 2023 Francesca Sobande / Cardiff University and Jenessa Williams / University of Leeds One comment

Francesca Sobande explores emo’s nostalgic resurgence, raising questions about authenticity, youth culture, mythologization, and the role of industrial and commercial activities in shaping the genre.

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Over*Flow: “I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

October 24, 2022 Wendy Peters / Nipissing University Leave a comment

Wendy Peters argues that the contemporary and decentralized context of music production, distribution, and social media promotion diversified and transformed pop music by enabling Lil Nas X—a Black and openly gay star—to rise.

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Bundling Merch into the Comfort Economy
Alyx Vesey / University of Alabama

June 8, 2021 Alyx Vesey / University of Alabama Leave a comment

Alyx Vesey analyzes how artistic entrepreneurship in the music industry through the use of merchandise has changed in the wake of COVID-19 concert cancellations, as well as how this merchandise forms part of “a consumerist response to societal collapse.”

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Self-Promotion in 15 Seconds: Finding Mainstream Success Through Memeable Sound Clips on TikTok
Meghan Grosse / Washington College

October 1, 2020 Meghan Grosse / Washington College Leave a comment

Looking at artists like Lil Nas X, Abigail Barlow, and Absofacto, Meghan Grosse explores how viral success on TikTok is affecting the mainstream music industry.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
1 May

In "Welcome to Wrexham and Representations of Management in Football (Soccer) as a Product of the “Media Sports Cultural Complex”" Andrew Stubbs-Lacy explores representation & construction of management in football with a focus on Welcome to Wrexham. Read: http://tinyurl.com/4z7wkuk8

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30 Apr

Dr. Roderik Smits explores various factors affecting what constitutes “fair pay” in the film and television industries. Read it here: http://tinyurl.com/mrn5wv9v

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flowtv FLOW @flowtv ·
29 Apr

Gerald Sim critiques Big Tech’s lobbying strategies against antitrust legislation, arguing that companies use technoliberal narratives, racialized imagery & nationalist rhetoric, such as the “China Argument,” to manipulate public opinion and more. http://tinyurl.com/ycka7652

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flowtv FLOW @flowtv ·
28 Apr

.@mediated1 argues that advertising’s integration of AI media technologies is not driven by natural market tendencies but from systemic commodification & political-economic forces, analyzed through the Political Economy of Media & Communications framework. http://tinyurl.com/3yajfcmb

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