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A Critical Forum on Media and Culture

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Tag: Mad Men

Cataloging Authorship:Mad Men at the Harry Ransom Center
Kate Cronin / UT Austin

July 30, 2018 Kate Cronin / University of Texas at Austin 6 comments

Kate Cronin takes the Mad Men collection at the Harry Ransom Center as a case study to consider the role archives and archivists play in constructing critical conceptions of contemporary television authorship.

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The Birth of Neoliberalism: American Realities Individualized and Refracted on Mad Men
Whitten Overby / Cornell University

April 25, 2016 Whitten Overby / Cornell University Leave a comment

Whitten Overby continues his series on Mad Men, this time arguing how the show provides a “televisual geneology” of neoliberalism through characters Don Draper and Peggy Olson.

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The Madness of Angeleno Freeways: Auto Mobility, Futurism, and Masculine Desire
Whitten Overby / Cornell University

February 29, 2016 Whitten Overby / Cornell University One comment

Whitten Overby continues his explorations of the intersections of architecture, technology, and gender in AMC’s Mad Men, this time through the lenses of Futurism, car travel, and the sprawling Los Angeles cityscape.

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Miss Representations: No Room for Blackness or Feminism on Mad Men’s Sets
Whitten Overby / Cornell University

November 23, 2015 Whitten Overby / Cornell University 3 comments

Whitten Overby argues that the modern architectural spaces and sets in AMC’s Mad Men assert white, patriarchal ideologies that challenge feminist readings of the show and illustrate the show’s shortcomings in exploring issues of racial discrimination.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “It’s Not Steroids, It’s Testosterone!”: Deconstructing Gender and Sex in Bros (2022)
Lauren Herold / Kenyon College and Nicole Erin Morse / Florida Atlantic University

"Blonde is a Kind of Person": A Cultural History of the Dumb Blonde
Kelly Coyne / Northwestern University

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flowtv FLOW @flowtv ·
21 Nov

@rahul_mukh explores the infrastructures and services underpinning the shift to mobile streaming in India. Discover more here: https://www.flowjournal.org/2023/11/streaming-indias-neomobile-audiences/

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25 Nov

In the final column of Flow 30.2, Lauren Steimer discusses the unacknowledged dangers of on-set stunt work. Read more here: https://www.flowjournal.org/2023/11/accident-the-true-dangers-of-stunt-work/

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24 Nov

Maggie Rossman's look at audience reception of the film Barbie demonstrates that even simplistic feminist discourse can lead to complicated affective responses. Read the article here: https://www.flowjournal.org/2023/11/becoming-the-barbie-spectator/

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23 Nov

This year (and all years), Flow is thankful for the hard work of our columnists, who share their exciting scholarship with us, and our @UTRTF grad student volunteers, without whom our issues would never be published. Thanks to all who support Flow! Read the latest issue here:

FLOW @FlowTV

This issue has everything — OTT infrastructure, sports management, stunt labor, speculative design, and Barbie! Check out the fantastic articles by @Courtney_BD, @rahul_mukh, Branden Buehler, Brianna Dym, Margaret Rossman, and Lauren Steimer here: http://flowjournal.org

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