Whitten Overby / Cornell University

The Birth of Neoliberalism: American Realities Individualized and Refracted on Mad Men
Whitten Overby / Cornell University

April 25, 2016 Whitten Overby / Cornell University Leave a comment

Whitten Overby continues his series on Mad Men, this time arguing how the show provides a “televisual geneology” of neoliberalism through characters Don Draper and Peggy Olson.

**The Madness of Angeleno Freeways: Auto Mobility, Futurism, and Masculine Desire**
Whitten Overby / Cornell University

February 29, 2016 Whitten Overby / Cornell University One comment

Whitten Overby continues his explorations of the intersections of architecture, technology, and gender in AMC’s Mad Men, this time through the lenses of Futurism, car travel, and the sprawling Los Angeles cityscape.

**Miss Representations: No Room for Blackness or Feminism on Mad Men’s Sets**
Whitten Overby / Cornell University

November 23, 2015 Whitten Overby / Cornell University 3 comments

Whitten Overby argues that the modern architectural spaces and sets in AMC’s Mad Men assert white, patriarchal ideologies that challenge feminist readings of the show and illustrate the show’s shortcomings in exploring issues of racial discrimination.

The Birth of Neoliberalism: American Realities Individualized and Refracted on Mad Men Whitten Overby / Cornell University

The Madness of Angeleno Freeways: Auto Mobility, Futurism, and Masculine Desire Whitten Overby / Cornell University

Miss Representations: No Room for Blackness or Feminism on Mad Men’s Sets Whitten Overby / Cornell University

The Birth of Neoliberalism: American Realities Individualized and Refracted on Mad Men
Whitten Overby / Cornell University

**The Madness of Angeleno Freeways: Auto Mobility, Futurism, and Masculine Desire**
Whitten Overby / Cornell University

**Miss Representations: No Room for Blackness or Feminism on Mad Men’s Sets**
Whitten Overby / Cornell University