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Tag: 27.08

Liberation and Learning from the 60s in One Night in Miami
Christina N. Baker / University of California, Merced

June 8, 2021 Christina N. Baker / University of California, Merced Leave a comment

Christina N. Baker applies Audre Lorde’s musing on collective liberation to the film One Night in Miami to pose there is power in unity.

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Bundling Merch into the Comfort Economy
Alyx Vesey / University of Alabama

June 8, 2021 Alyx Vesey / University of Alabama Leave a comment

Alyx Vesey analyzes how artistic entrepreneurship in the music industry through the use of merchandise has changed in the wake of COVID-19 concert cancellations, as well as how this merchandise forms part of “a consumerist response to societal collapse.”

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Rebooting Whiteness, Complicating Latinidad: The Struggles of Latinx TV Remakes
Crystal Camargo / Northwestern University

June 8, 2021 Crystal Camargo / Northwestern University Leave a comment

Using Charmed and One Day at a Time as case studies, Crystal Camargo examines the ways in which representation in Latinx reboots is complicated and constructed by their white “original” texts.

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Family Brands: From the Nelsons to the Kardashians
Cynthia Meyers / College of Mount Saint Vincent

June 8, 2021 Cynthia Meyers / College of Mount Saint Vincent Leave a comment

Cynthia Meyers theorizes the “family brand,” discussing examples from The Adventures of Ozzie and Harriet to Keeping Up with the Kardashians.

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By Any Platforms Necessary: The Makeshift Infrastructures of Bogota’s Public School Communities During the Covid-19 Pandemic
Andres Lombana-Bermudez / Universidad Javeriana

June 4, 2021 Andres Lombana-Bermudez / Universidad Javeriana 3 comments

Andres Lombana-Bermudez reflects on how Colombian public school systems utilized Information Communication Technologies (ICT) throughout the COVID-19 pandemic.

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Love in the Time of Coronavirus
Lauren Rouse and Mel Stanfill / University of Central Florida

June 4, 2021 Lauren Rouse and Mel Stanfill / University of Central Florida One comment

Lauren Rouse and Mel Stanfill examine COVID-19 fan fiction on the Archive of Our Own to see whose experiences of the virus are present—and absent—in these stories.

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On the (In)Visibility of Female Gamers
Amanda C. Cote / University Of Oregon

June 4, 2021 Amanda C. Cote / University of Oregon One comment

Amanda C. Cote challenges the idea that women in gaming is a new trend, exploring how a continual surprise at women’s presence in gaming communities undermines their historical contributions in the field.

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From Network Syndicator to Adult Disney: A Brief History Of Hulu
Eleanor Patterson / Auburn University

June 3, 2021 Eleanor Patterson / Auburn University 2 comments

Eleanor Patterson analyzes Hulu’s initial aim of adapting broadcast distribution logics into streaming distribution and the service’s contemporary shift to an “Adult Disney” service.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
1 May

In "Welcome to Wrexham and Representations of Management in Football (Soccer) as a Product of the “Media Sports Cultural Complex”" Andrew Stubbs-Lacy explores representation & construction of management in football with a focus on Welcome to Wrexham. Read: http://tinyurl.com/4z7wkuk8

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flowtv FLOW @flowtv ·
30 Apr

Dr. Roderik Smits explores various factors affecting what constitutes “fair pay” in the film and television industries. Read it here: http://tinyurl.com/mrn5wv9v

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flowtv FLOW @flowtv ·
29 Apr

Gerald Sim critiques Big Tech’s lobbying strategies against antitrust legislation, arguing that companies use technoliberal narratives, racialized imagery & nationalist rhetoric, such as the “China Argument,” to manipulate public opinion and more. http://tinyurl.com/ycka7652

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flowtv FLOW @flowtv ·
28 Apr

.@mediated1 argues that advertising’s integration of AI media technologies is not driven by natural market tendencies but from systemic commodification & political-economic forces, analyzed through the Political Economy of Media & Communications framework. http://tinyurl.com/3yajfcmb

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