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A Critical Forum on Media and Culture

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Robert C. Sickels / Whitman College

Wild at Heart, Weird on Top: The Curious Career of Nicolas Cage
Robert Sickels / Whitman College

May 6, 2011 Robert C. Sickels / Whitman College One comment

In the 1980s and 1990s, Nic Cage carved a niche for himself as an endearing yet reliably offbeat actor. Robert Sickels analyzes Cage’s career trajectory from his quirkiest to his most derided roles.

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Never Say Never, Insurge Pictures, and the Future of Independent Film
Robert C. Sickels / Whitman College

February 25, 2011 Robert C. Sickels / Whitman College 4 comments

The “independent” film Never Say Never, the initial production of Insurge Pictures, signals the difficulties faced by independent filmmakers attempting to break into the film industry.

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Reduce, Reuse, and Recycle: Glee and Pastiche
Robert Sickels / Whitman College

December 3, 2010 Robert C. Sickels / Whitman College 2 comments

The once-breathlessly pleasurable practice of inserting sly intertextual references may be reaching the point of oversaturation as evidenced by the current season of Fox’s Glee.

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“The future, Mr. Gittes. The future”: Next Wave Filmmaking, Part 2*
Robert Sickels / Whitman College

September 10, 2010 Robert C. Sickels / Whitman College 4 comments

This essay, part 2 of a 2-part series, stems from a chapter on Next Wave filmmaking that will appear in American Film in the Digital Age.

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“The future, Mr. Gittes. The future.”: Next Wave Filmmaking and Beyond, Part 1 *
Robert Sickels / Whitman College

August 13, 2010 Robert C. Sickels / Whitman College 2 comments

A discussion of the mumblecore film movement.

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Lost at the Movies
Robert C. Sickels / Whitman College

June 18, 2010 Robert C. Sickels / Whitman College 4 comments

An exploration of the intertextual references underscoring the narrative of ABC’s Lost.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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20h

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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