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A Critical Forum on Media and Culture

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Lucas Hilderbrand / University of California, Irvine

Undateable: Some Reflections on Online Dating and the Perversion of Time
Lucas Hilderbrand / University of California, Irvine

April 22, 2011 Lucas Hilderbrand / University of California, Irvine 5 comments

Lucas Hilderbrand examines how online dating alters traditional notions of romantic temporality.

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It’s Okay to Watch a Show Called Cougar Town
Lucas Hilderbrand / University of California, Irvine

February 11, 2011 Lucas Hilderbrand / University of California, Irvine 4 comments

Lucas Hilderbrand celebrates the pleasures of the ABC sitcom Cougar Town and assures us, “It’s okay to watch.”

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The History of Postmodern: Mark Ronson’s Pop Nostalgia
Lucas Hilderbrand / University of California, Irvine

November 12, 2010 Lucas Hilderbrand / University of California, Irvine 4 comments

Lucas Hilderbrand considers how Mark Ronson’s new album reminisces about the glory days of 1980s postmodern pop.

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Sweatin’ Out the Shame
Lucas Hilderbrand / University of California, Irvine

April 23, 2010 Lucas Hilderbrand / University of California, Irvine 9 comments

A look at classic VHS workout tapes.

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Phonography: Lessons Learned from Teaching Audio Technologies
Lucas Hilderbrand / University of California, Irvine

February 5, 2010 Lucas Hilderbrand / University of California, Irvine 2 comments

Reflections on teaching cultural studies of sound technology and popular music.

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Stage Left: Glee and the Textual Politics of Difference
Lucas Hilderbrand / University of California, Irvine

December 4, 2009 Lucas Hilderbrand / University of California, Irvine 10 comments

A look at difference, marginalization, and minority politics in the new show Glee.

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Rewind: sex, lies, and videotape at 20 
Lucas Hilderbrand / University of California, Irvine

September 4, 2009 Lucas Hilderbrand / University of California, Irvine 7 comments

A thoughtful rumination on sex, lies, and videotape on its twentieth anniversary.

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“Digital” is not a noun 
 Lucas Hilderbrand / University of California, Irvine 

July 23, 2009 Lucas Hilderbrand / University of California, Irvine 5 comments

An insightful rumination on the use of the word “digital” and its implications.

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Justice Is a Bitch: On Damages as a Liberal Revenge Fantasy 
 Lucas Hilderbrand / University of California, Irvine  

June 12, 2009 Lucas Hilderbrand / University of California, Irvine One comment

An analysis of FX’s Damages as a program about law “out-of-order,” enacting a liberal revenge fantasy through Glenn Close’s character, Patty Hewes.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
1 May

In "Welcome to Wrexham and Representations of Management in Football (Soccer) as a Product of the “Media Sports Cultural Complex”" Andrew Stubbs-Lacy explores representation & construction of management in football with a focus on Welcome to Wrexham. Read: http://tinyurl.com/4z7wkuk8

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30 Apr

Dr. Roderik Smits explores various factors affecting what constitutes “fair pay” in the film and television industries. Read it here: http://tinyurl.com/mrn5wv9v

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flowtv FLOW @flowtv ·
29 Apr

Gerald Sim critiques Big Tech’s lobbying strategies against antitrust legislation, arguing that companies use technoliberal narratives, racialized imagery & nationalist rhetoric, such as the “China Argument,” to manipulate public opinion and more. http://tinyurl.com/ycka7652

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flowtv FLOW @flowtv ·
28 Apr

.@mediated1 argues that advertising’s integration of AI media technologies is not driven by natural market tendencies but from systemic commodification & political-economic forces, analyzed through the Political Economy of Media & Communications framework. http://tinyurl.com/3yajfcmb

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