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A Critical Forum on Media and Culture

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A Critical Forum on Media and Culture

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Lucas Hilderbrand / University of California, Irvine

Undateable: Some Reflections on Online Dating and the Perversion of Time
Lucas Hilderbrand / University of California, Irvine

April 22, 2011 Lucas Hilderbrand / University of California, Irvine 5 comments

Lucas Hilderbrand examines how online dating alters traditional notions of romantic temporality.

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It’s Okay to Watch a Show Called Cougar Town
Lucas Hilderbrand / University of California, Irvine

February 11, 2011 Lucas Hilderbrand / University of California, Irvine 4 comments

Lucas Hilderbrand celebrates the pleasures of the ABC sitcom Cougar Town and assures us, “It’s okay to watch.”

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The History of Postmodern: Mark Ronson’s Pop Nostalgia
Lucas Hilderbrand / University of California, Irvine

November 12, 2010 Lucas Hilderbrand / University of California, Irvine 4 comments

Lucas Hilderbrand considers how Mark Ronson’s new album reminisces about the glory days of 1980s postmodern pop.

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Sweatin’ Out the Shame
Lucas Hilderbrand / University of California, Irvine

April 23, 2010 Lucas Hilderbrand / University of California, Irvine 9 comments

A look at classic VHS workout tapes.

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Phonography: Lessons Learned from Teaching Audio Technologies
Lucas Hilderbrand / University of California, Irvine

February 5, 2010 Lucas Hilderbrand / University of California, Irvine 2 comments

Reflections on teaching cultural studies of sound technology and popular music.

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Stage Left: Glee and the Textual Politics of Difference
Lucas Hilderbrand / University of California, Irvine

December 4, 2009 Lucas Hilderbrand / University of California, Irvine 10 comments

A look at difference, marginalization, and minority politics in the new show Glee.

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Rewind: sex, lies, and videotape at 20 
Lucas Hilderbrand / University of California, Irvine

September 4, 2009 Lucas Hilderbrand / University of California, Irvine 7 comments

A thoughtful rumination on sex, lies, and videotape on its twentieth anniversary.

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“Digital” is not a noun 
 Lucas Hilderbrand / University of California, Irvine 

July 23, 2009 Lucas Hilderbrand / University of California, Irvine 5 comments

An insightful rumination on the use of the word “digital” and its implications.

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Justice Is a Bitch: On Damages as a Liberal Revenge Fantasy 
 Lucas Hilderbrand / University of California, Irvine  

June 12, 2009 Lucas Hilderbrand / University of California, Irvine One comment

An analysis of FX’s Damages as a program about law “out-of-order,” enacting a liberal revenge fantasy through Glenn Close’s character, Patty Hewes.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
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    Reighan Gillam / University of Michigan
    March 5, 2013 92 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 61 comments

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