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A Critical Forum on Media and Culture

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A Critical Forum on Media and Culture

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Karen Lury / University of Glasgow

Back to the Future?: Television in the 1980s
Karen Lury / University of Glasgow

October 2, 2008 Karen Lury / University of Glasgow 5 comments

A consideration of the ways in which television’s evolving history is changing approaches to introductory television courses.

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Monkey Magic
Karen Lury / University of Glasgow

August 21, 2008 Karen Lury / University of Glasgow 5 comments

An historical examination of the transformation of the ‘Monkey’ – from Journey to the West to the Olympics.

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Same As It Never Was: Nostalgia and Children’s TV
Karen Lury / University of Glasgow

July 10, 2008 Karen Lury / University of Glasgow 4 comments

Karen Lury / University of Glasgow

In recollection, children’s television emerges as somewhere between speech and writing; and there is something important about that intangibility.

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More than Meets the Ear: Dubbing and Accents on TV

Karen Lury / University of Glasgow

May 6, 2008 Karen Lury / University of Glasgow 3 comments

Karen Lury / University of Glasgow

What the practice and business of dubbing reveals about class and power.


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Confessions of a Television Academic in a Post-TV World

February 13, 2008 Karen Lury / University of Glasgow 9 comments

Perhaps I should come straight out with it – and I’m not proud about this – I don’t watch television very much at all.

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Missing in Time: Madeleine McCann and the Media

November 16, 2007 Karen Lury / University of Glasgow 6 comments


How Madeleine went missing in an inundation of media coverage.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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4h

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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24h

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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Popular Posts

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