Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Jorie Lagerwey / University College Dublin

Sitcom in the Trump Era: Racially Diverse Utopias and White Dystopias
Jorie Lagerwey / University College Dublin
Taylor Nygaard / University of Denver

May 29, 2018 Jorie Lagerwey / University College Dublin Leave a comment

Jorie Lagerwey and Taylor Nygaard examine white-cast dystopias and people of color-cast utopias in contemporary sitcom aesthetics.

Read more

Broad City’s Affable Critique & the Racial Discourses of Girlfriendship
Jorie Lagerwey / University College Dublin
Taylor Nygaard / University of Denver

March 26, 2018 Jorie Lagerwey / University College Dublin One comment

Jorie Lagerwey and Taylor Nygaard analyze Broad City as a case study for the racial discourses of female friendships in television’s Horrible White People comedies.

Read more

Liberal Women, Mental Illness, and Precarious Whiteness in Trump’s America
Jorie Lagerwey / University College Dublin
Taylor Nygaard / University of Denver

November 27, 2017 Jorie Lagerwey / University College Dublin One comment

Using Lifetime’s UnReal as a case study, Jorie Lagerwey and Taylor Nygaard examine the representation of white, liberal, middle-class, educated women in the emerging “Horrible White People” genre on cable and streaming platforms.

Read more

Bodies and Bravo’s Brand on The Real Housewives of Atlanta and New York
Jorie Lagerwey / University College Dublin

September 23, 2013 Jorie Lagerwey / University College Dublin 2 comments

RHOA highlights the ruptures in Bravo’s brand and moves the show from a vehicle for winking consumerist aspiration to an example of successful brand-selves emerging outside the strict limits of postfeminist entrepreneurial success set by Bravos other stars.

Read more

Blessed Be the Peacemakers: TV Drama’s White Christianity a Decade After 9/11
Jorie Lagerwey/ University College Dublin

August 13, 2013 Jorie Lagerwey / University College Dublin Leave a comment

A look at the place of religion a decade after 9/11.

Read more

Kell on Earth: Kelly Cutrone And The Rare Failure Of Brand Bravo
Jorie Lagerwey / University College Dublin

June 20, 2013 Jorie Lagerwey / University College Dublin 2 comments

An analysis of the Bravo show Kell on Earth.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
20h

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

Reply on Twitter 1986138451927048203 Retweet on Twitter 1986138451927048203 Like on Twitter 1986138451927048203 Twitter 1986138451927048203
flowtv FLOW @flowtv ·
4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

Reply on Twitter 1985831190905978886 Retweet on Twitter 1985831190905978886 Like on Twitter 1985831190905978886 1 Twitter 1985831190905978886
flowtv FLOW @flowtv ·
3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

Reply on Twitter 1985390289679159659 Retweet on Twitter 1985390289679159659 Like on Twitter 1985390289679159659 Twitter 1985390289679159659
flowtv FLOW @flowtv ·
29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

Reply on Twitter 1983623071455203427 Retweet on Twitter 1983623071455203427 Like on Twitter 1983623071455203427 Twitter 1983623071455203427
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 91 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture