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A Critical Forum on Media and Culture

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A Critical Forum on Media and Culture

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Graeme Turner / Queensland University

How to become a TV star
Graeme Turner / University of Queensland

April 27, 2012 Graeme Turner / Queensland University 2 comments

A consideration of cultural importance of the Logies, Australia’s Emmys.

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Television studies, new media, and the divided curriculum
Graeme Turner / University of Queensland

February 13, 2012 Graeme Turner / Queensland University 6 comments

How the bifurcation between “old” and “new” media continues to (mis)inform teaching in universities.

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Media, community, and zones of consumption
Graeme Turner / University of Queensland

November 13, 2011 Graeme Turner / Queensland University Leave a comment

Graeme Turner interrogrates how new media creates a new type of community.

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‘Liveness’ and ‘Sharedness’ Outside the Box
Graeme Turner / University of Queensland

April 8, 2011 Graeme Turner / Queensland University 48 comments

Graeme Turner asks, “What exactly is television for the multi-platform user?”

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Disaster Zones and the Performance of Television
Graeme Turner / University of Queensland

January 28, 2011 Graeme Turner / Queensland University 5 comments

The disastrous flooding in Queensland, AU, calls into question the way in which television engages with local communities during moments of crisis.

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“Choice Fatigue,” Community and the Mutations of Television
Graeme Turner / University of Queensland

October 29, 2010 Graeme Turner / Queensland University 5 comments

An Australian scholar relates his experience of “choice fatigue” while visiting and viewing cable programming in the United States, and examines whether expanded choice limits the role of television in communities and nations.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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22h

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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Popular Posts

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    Kate Warner / University of Queensland
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