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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Finley Freibert / Independent Scholar

Finley Freibert is an independent scholar and currently a part time Lecturer in Comparative Humanities at the University of Louisville. In 2019, he completed a Ph.D. in Visual Studies from the University of California, Irvine. Finley researches and teaches at the intersection of media industry studies, critical legal studies, LGBTQ+ histories, cultural studies, and film and media history. Finley's current research tracks how queer cultural productions have been tied to commercial structures, and how such media exist in a complex relationship with economic and cultural systems of regulation. His work has been published in scholarly venues such as Film Criticism, and Finley has written for a general audience in The Advocate and Washington Blade. Reach him on Twitter: @FinleyFreibert.

Gay Democratic Socialist Disruption on Television in 1971
Finley Freibert / University of Louisville

April 6, 2020 Finley Freibert / Independent Scholar 2 comments

Finley Freibert intervenes with traditional interpolations of gay activism in the 1960s and 1970s to investigate media activism performed in the name of gay and democratic socialist liberation.

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A Public Records Request Rabbit Hole in the Study of Nontheatrical Distribution
Finley Freibert / Independent Scholar

November 28, 2019 Finley Freibert / Independent Scholar One comment

Finley Freibert reveals the challenges of accessing public records and telling the history of gay, nontheatrical film distributor, John Samuel Bridges, in 1960s San Francisco.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “It’s Not Steroids, It’s Testosterone!”: Deconstructing Gender and Sex in Bros (2022)
Lauren Herold / Kenyon College and Nicole Erin Morse / Florida Atlantic University

"Blonde is a Kind of Person": A Cultural History of the Dumb Blonde
Kelly Coyne / Northwestern University

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A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
20 Sep

New in Over*Flow: @renherold and @cinefeminism examine the deconstruction of cis gay masculinity in the 2022 semi-satirical gay rom-com Bros, reassessing its "bad object" status. Read more here: https://www.flowjournal.org/2023/09/over-flow-gender-sex-bros/

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horrorlex Horror Lex® @horrorlex ·
16 Aug

NOPE is about the eye of the camera, but also Black defiance of it. Read Sophia Abbey's brief but excellent piece at @FlowTV, "Gazing Upwards: Spectacle, Surveillance, and Resistance in Nope." #OpenAccess
https://www.flowjournal.org/2023/08/gazing-upwards/

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flowtv FLOW @flowtv ·
2 May

Happy Tuesday, and happy Volume 29.07 release day! The final issue of Flow in the spring features work from @baker_r_r, @Naledgesince82, @caitmckinney, @MichaelSocolow, and Michele White! Read the full issue here: http://flowjournal.org

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flowtv FLOW @flowtv ·
7 Apr

TGIF!! Celebrate by reading vol. 29.06-up on the site now. Thx to @jenholt13 @rebeccasholt @kevindriscoll and @TrueIcaRash for their contributions!!

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