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Christopher Lucas / Trinity University

Three Wishes for Flow
Christopher Lucas

September 1, 2016 Christopher Lucas / Trinity University Leave a comment

Remembering Flow’s origins and its objective to challenge the status quo, 2006 coordinator Christopher Lucas proposes three ways for the journal and conference to continue experimenting with interdisciplinarity.

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Expanded Cinematography, or the Problems Workflow Won’t Solve
Christopher Lucas, Trinity University

March 23, 2015 Christopher Lucas / Trinity University One comment

The author argues for a more diverse notion of cinematography that is inclusive of not only various technical sensibilities but also of people.

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When YouTube Discovered Craft
Christopher Lucas / Trinity University

January 25, 2015 Christopher Lucas / Trinity University One comment

A look into how Youtube celebrities manage their cinematic style.

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The Golden Age of Television (Cinematography)
Christopher Lucas / Trinity University

October 27, 2014 Christopher Lucas / Trinity University 2 comments

Television’s recent embrace of complex imagery and visual flair has, to some extent, shifted discourses of craft value as new creative possibilities emerge for that medium’s below-the-line professions.

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Interview: Jason Reich, writer on The Daily Show
Chris Lucas / FLOW Staff

January 21, 2005 Christopher Lucas / Trinity University 7 comments

by: Chris Lucas / FLOW Staff
Jason Reich: “I think that part of the reason what we do is so frequently perceived as ‘liberal’ is because we’re talking about the news, and these days, the people making the news are, by and large, conservatives…”

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
5 Jan

Benjamin M. Han argues that while one might be inclined to identify specific elements of the film that appeal to the global audience, Kpop Demon Hunters prompts us to examine questions of national identity in terms of its Koreanness.

Read it here: http://tinyurl.com/3usj4n4w

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flowtv FLOW @flowtv ·
30 Dec

In "K-pop Beyond the Trend" Dr. Crystal Anderson explores how K-pop music maintains relevance beyond the cultural moment, unlike the fast trending nature of other popular Korean music genres.

Read it here: http://tinyurl.com/bdmx3vfw

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flowtv FLOW @flowtv ·
26 Dec

In "Yet Another KPDH Thought Piece: Socially Conscious and Popular?" Dr. David Oh investigates how Kpop Demon Hunters has managed to maintain its popular status despite the film’s counterhegemonic tendencies.

Read it here: http://tinyurl.com/3tjkm5kt

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flowtv FLOW @flowtv ·
23 Dec

Kallia O. Wright analyzes Dr. Bailey’s heart attack in Grey’s Anatomy, revealing how racial and gender stereotypes shape Black women’s medical treatment and self-advocacy within biased healthcare systems.

Read it here: http://tinyurl.com/3vyahe9b

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