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Christopher Lucas / Trinity University

Three Wishes for Flow
Christopher Lucas

September 1, 2016 Christopher Lucas / Trinity University Leave a comment

Remembering Flow’s origins and its objective to challenge the status quo, 2006 coordinator Christopher Lucas proposes three ways for the journal and conference to continue experimenting with interdisciplinarity.

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Expanded Cinematography, or the Problems Workflow Won’t Solve
Christopher Lucas, Trinity University

March 23, 2015 Christopher Lucas / Trinity University One comment

The author argues for a more diverse notion of cinematography that is inclusive of not only various technical sensibilities but also of people.

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When YouTube Discovered Craft
Christopher Lucas / Trinity University

January 25, 2015 Christopher Lucas / Trinity University One comment

A look into how Youtube celebrities manage their cinematic style.

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The Golden Age of Television (Cinematography)
Christopher Lucas / Trinity University

October 27, 2014 Christopher Lucas / Trinity University 2 comments

Television’s recent embrace of complex imagery and visual flair has, to some extent, shifted discourses of craft value as new creative possibilities emerge for that medium’s below-the-line professions.

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Interview: Jason Reich, writer on The Daily Show
Chris Lucas / FLOW Staff

January 21, 2005 Christopher Lucas / Trinity University 7 comments

by: Chris Lucas / FLOW Staff
Jason Reich: “I think that part of the reason what we do is so frequently perceived as ‘liberal’ is because we’re talking about the news, and these days, the people making the news are, by and large, conservatives…”

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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