Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Christopher Lucas / Trinity University

Three Wishes for Flow
Christopher Lucas

September 1, 2016 Christopher Lucas / Trinity University Leave a comment

Remembering Flow’s origins and its objective to challenge the status quo, 2006 coordinator Christopher Lucas proposes three ways for the journal and conference to continue experimenting with interdisciplinarity.

Read more

Expanded Cinematography, or the Problems Workflow Won’t Solve
Christopher Lucas, Trinity University

March 23, 2015 Christopher Lucas / Trinity University One comment

The author argues for a more diverse notion of cinematography that is inclusive of not only various technical sensibilities but also of people.

Read more

When YouTube Discovered Craft
Christopher Lucas / Trinity University

January 25, 2015 Christopher Lucas / Trinity University One comment

A look into how Youtube celebrities manage their cinematic style.

Read more

The Golden Age of Television (Cinematography)
Christopher Lucas / Trinity University

October 27, 2014 Christopher Lucas / Trinity University 2 comments

Television’s recent embrace of complex imagery and visual flair has, to some extent, shifted discourses of craft value as new creative possibilities emerge for that medium’s below-the-line professions.

Read more

Interview: Jason Reich, writer on The Daily Show
Chris Lucas / FLOW Staff

January 21, 2005 Christopher Lucas / Trinity University 7 comments

by: Chris Lucas / FLOW Staff
Jason Reich: “I think that part of the reason what we do is so frequently perceived as ‘liberal’ is because we’re talking about the news, and these days, the people making the news are, by and large, conservatives…”

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
1 May

In "Welcome to Wrexham and Representations of Management in Football (Soccer) as a Product of the “Media Sports Cultural Complex”" Andrew Stubbs-Lacy explores representation & construction of management in football with a focus on Welcome to Wrexham. Read: http://tinyurl.com/4z7wkuk8

Reply on Twitter 1917940648881049849 Retweet on Twitter 1917940648881049849 Like on Twitter 1917940648881049849 Twitter 1917940648881049849
flowtv FLOW @flowtv ·
30 Apr

Dr. Roderik Smits explores various factors affecting what constitutes “fair pay” in the film and television industries. Read it here: http://tinyurl.com/mrn5wv9v

Reply on Twitter 1917668522072613233 Retweet on Twitter 1917668522072613233 1 Like on Twitter 1917668522072613233 1 Twitter 1917668522072613233
flowtv FLOW @flowtv ·
29 Apr

Gerald Sim critiques Big Tech’s lobbying strategies against antitrust legislation, arguing that companies use technoliberal narratives, racialized imagery & nationalist rhetoric, such as the “China Argument,” to manipulate public opinion and more. http://tinyurl.com/ycka7652

Reply on Twitter 1917344662869704942 Retweet on Twitter 1917344662869704942 Like on Twitter 1917344662869704942 Twitter 1917344662869704942
flowtv FLOW @flowtv ·
28 Apr

.@mediated1 argues that advertising’s integration of AI media technologies is not driven by natural market tendencies but from systemic commodification & political-economic forces, analyzed through the Political Economy of Media & Communications framework. http://tinyurl.com/3yajfcmb

Reply on Twitter 1916934690428113010 Retweet on Twitter 1916934690428113010 Like on Twitter 1916934690428113010 Twitter 1916934690428113010
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 91 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture