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A Critical Forum on Media and Culture

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Category: 3.10

Lessons from the Undead: How Film and TV Zombies Teach Us About War

January 26, 2006 Heather Hendershot / Queens College 5 comments

by: Heather Hendershot / Queens College
How zombies are used to make potent anti-war statements.

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Public Radio Redux

January 26, 2006 Tom McCourt / Fordham University 2 comments

by: Tom McCourt / Fordham University
Despite the availability of public radio in new forms, and the changing focus of programming, radio’s primary strength remains its status as the most local of media.

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The Allusions of Television

January 26, 2006 David Lavery / Brunel University 9 comments

by: David Lavery / Middle Tennessee State University
TV’s taking a bad rap within the halls of the academy. Here are a few reasons why it’s not just a “vast wasteland” for the literarily challenged.

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War, “Incendiary Media,” and International Law (Part III)

January 26, 2006 John Nguyet Erni / City University of Hong Kong 2 comments

by: John Nguyet Erni / City University of Hong Kong
The conclusion of a series on media intervention, this column questions the ways that media intervention and re-development has been practiced in post-conflict Iraq.

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Producers, Publics, and Podcasts: Where Does Television Happen?

January 26, 2006 Derek Kompare / Southern Methodist University 7 comments

by: Derek Kompare / Southern Methodist University
An investigation of the tangled creative relationship between fans and the television industry in the age of the internet.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

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FLOW
FlowTVFLOW@FlowTV·
15h

New to Over*Flow: Dan Vena and Sarah Woodstock argue that Netflix’s removal of Dahmer – Monster: The Jeffrey Dahmer Story from its LGBTQ TV category discards “unacceptable” queer history and protects the homonormativity of Netflix’s LGBTQ library.
https://www.flowjournal.org/2023/01/overflow-classifying-dahmer/

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FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

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FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

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