Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Category: Special Issue: Public and Digital Pedagogies

Teach-Ins and Twitter
Michael Newman / University of Wisconsin-Milwaukee

September 21, 2015 Michael Z. Newman / University of Wisconsin-Milwaukee One comment

Michael Newman examines the legacy of 1960s anti-Vietnam War teach-ins in relation to Twitter and contemporary debates about — and curtailments of — academic freedom, political speech, and public pedagogies within higher education institutions.

Read more

Pedagogy and Where Sh** Happens in Digital Humanities
Vicki Mayer / Tulane University

September 21, 2015 Vicki Mayer / Tulane University Leave a comment

Vicki Mayer discusses her MediaNOLA project and its practical and pedagogical use in the classroom, where it enables students to learn research and production skills, allows them to publish for the public, and, in short, make media.

Read more

“Use the Force, Luke!”: Teaching Videographic Criticism to Students and Colleagues
Drew Morton / Texas A&M

September 21, 2015 Drew Morton / Texas A&M One comment

Drew Morton outlines how best to design a syllabus and videographic assignments for upper-division Media Studies undergraduates that integrates practice and theory while remaining manageable and applicable to this segment of the student population.

Read more

Using Digital Tools for Collaborative Discovery: Assurances and Ambivalences
Leah Shafer / Hobart and William Smith Colleges

September 21, 2015 Leah Shafer / Hobart and William Smith Colleges Leave a comment

Leah Shafer advocates for the productive use of collaborative digital projects and group work in the college classroom.

Read more

Classroom/Space
Amelie Hastie / Amherst College

September 21, 2015 Amelie Hastie / Amherst College One comment

Amelie Hastie argues that television must be studied in a manner that fully contextualizes it within both time and material space, as must the pedagogies, course assignments, and methods of study we use to engage such pursuits.

Read more

Stop Teaching Software, Start Teaching Software Literacy
Katherine Morrissey / Rochester Institute of Technology

September 20, 2015 Katherine E. Morrissey / San Francisco State University 7 comments

Katherine Morrissey advocates for teaching media and software literacy skills which will enable students to successfully adapt and respond to changes in software, its classroom availability, and in the media landscape itself.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

Reply on Twitter 1884761812777754705 Retweet on Twitter 1884761812777754705 Like on Twitter 1884761812777754705 2 Twitter 1884761812777754705
flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

Reply on Twitter 1873142787815968998 Retweet on Twitter 1873142787815968998 3 Like on Twitter 1873142787815968998 12 Twitter 1873142787815968998
flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

Reply on Twitter 1872372705070371178 Retweet on Twitter 1872372705070371178 2 Like on Twitter 1872372705070371178 2 Twitter 1872372705070371178
flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

Reply on Twitter 1871234809906823300 Retweet on Twitter 1871234809906823300 1 Like on Twitter 1871234809906823300 4 Twitter 1871234809906823300
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 91 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture