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Category: 22.02

Textual Object
Nicholas Sammond / University of Toronto

November 23, 2015 Nicholas Sammond / University of Toronto One comment

Nicholas Sammond considers Disneyland as a text, engaging the amusement park as a textual (and intertextual) object and narrative in relation to Bakhtin’s concept of heteroglossia, in order to expand notions of textuality and its study.

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“Smart is the New Cool”: Branding Project MC2’s S.T.E.M. Lifestyle
Avi Santo / Old Dominion University

November 23, 2015 Avi Santo / Old Dominion University 3 comments

Avi Santo explores the ways in which Project MC2 attempts to sell a brand and S.T.E.M to young girls.

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Wicked Games, Part I: Twenty-sided Demons
Matthew Payne / University of Alabama
Peter Alilunas / University of Oregon

November 23, 2015 Matthew Payne / University of Alabama & Peter Alilunas / University of Oregon One comment

A history of controversies surrounding tabletop role-playing game Dungeons and Dragons

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Miss Representations: No Room for Blackness or Feminism on Mad Men’s Sets
Whitten Overby / Cornell University

November 23, 2015 Whitten Overby / Cornell University 3 comments

Whitten Overby argues that the modern architectural spaces and sets in AMC’s Mad Men assert white, patriarchal ideologies that challenge feminist readings of the show and illustrate the show’s shortcomings in exploring issues of racial discrimination.

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Girl as Sign: Epistemology of the Shōjo
Coco Zhou / McGill University

November 22, 2015 Coco Zhou / McGill University 4 comments

Coco Zhou examines the male and female identification process and gender dynamics underlying the shojo figure in Japanese anime and visual and popular culture.

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Hybridity, Extratextuality and the Docudrama:
Re-evaluating ‘Spoilers’ in The Jinx

Laura Minor
 / Keele University

November 21, 2015 Laura Minor / Keele University 14 comments

Laura Minor explores the ambiguity of contemporary documentary forms, examining Andrew Jarecki’s documentary mini-series The Jinx in relation to the television documdrama, analyzing its hybridity, extratextuality, and its presentation of “real life” spoilers.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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25 May

Stefania Marghitu explores the intersections between gender, genre, and authorship via Rose Matafeo's Starstruck. @DearStefania

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https://www.flowjournal.org/2022/05/gender-genre-authorship-in-starstruck/

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24 May

Cara Dickason examines how corporations sell Smart TVs as domestic surveillance technologies through gendered formulas. @CaraDickason

Read the full article here:
https://www.flowjournal.org/2022/05/smart-tv-surveillance/

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23 May

Isabel Molina-Guzmán discusses how Bridgerton's escapist narrative produces a nostalgia that simultaneously erases histories of racial conflict, generates pleasure in non-white audiences, and maintains white subjectivity. @LaProfaMolina

Read more at:
https://www.flowjournal.org/2022/05/bridgertons-romance-with-racial-nostalgia/

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