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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Category: 13.08

Black Swan, Cinematic Excess and the Full Body Experience
Amanda Klein / East Carolina University

February 11, 2011 Amanda Klein / East Carolina University 11 comments

In this piece, Amanda Klein explores how Black Swan employs the conventions of art cinema in order to engage the mind, and uses the conventions of horror, melodrama, and pornography to engage the body.

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Drunk History and Displaced Vocality
Lisa Coulthard / University of British Columbia

February 11, 2011 Lisa Coulthard / University of British Columbia 7 comments

An examination of displaced voices in Drunk History

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The Problem of YouTube
Aymar Jean Christian / University of Pennsylvania

February 11, 2011 Aymar Jean Christian / Northwestern University 18 comments

Aymar Jean Christian dissects what’s wrong with everyone’s favorite video channel.

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It’s Okay to Watch a Show Called Cougar Town
Lucas Hilderbrand / University of California, Irvine

February 11, 2011 Lucas Hilderbrand / University of California, Irvine 4 comments

Lucas Hilderbrand celebrates the pleasures of the ABC sitcom Cougar Town and assures us, “It’s okay to watch.”

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You Haven’t Seen Avatar Yet
Charles R. Acland / Concordia University

February 11, 2011 Charles R. Acland / Concordia University 3 comments

The DVD set for the film Avatar invites viewers to “extend the journey,” exemplary of the elasticity of the film’s boundaries.

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Problems, Potential, and Place in Portlandia
Esteban Del Rio / University of San Diego

February 11, 2011 Esteban del Río / University of San Diego 4 comments

Can the enviro-slacker audience of IFC’s Portlandia laugh at themselves?

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“Who Lives?”: Notes on a Cinematic Moment
Murray Pomerance / Ryerson University

February 11, 2011 Murray Pomerance / Ryerson University 3 comments

In the true, unfolding experience of watching cinema, in our actual presence with the image, our sense of being struck depends on our relation to telltale moments.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “It’s Not Steroids, It’s Testosterone!”: Deconstructing Gender and Sex in Bros (2022)
Lauren Herold / Kenyon College and Nicole Erin Morse / Florida Atlantic University

"Blonde is a Kind of Person": A Cultural History of the Dumb Blonde
Kelly Coyne / Northwestern University

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A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
20 Sep

New in Over*Flow: @renherold and @cinefeminism examine the deconstruction of cis gay masculinity in the 2022 semi-satirical gay rom-com Bros, reassessing its "bad object" status. Read more here: https://www.flowjournal.org/2023/09/over-flow-gender-sex-bros/

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horrorlex Horror Lex® @horrorlex ·
16 Aug

NOPE is about the eye of the camera, but also Black defiance of it. Read Sophia Abbey's brief but excellent piece at @FlowTV, "Gazing Upwards: Spectacle, Surveillance, and Resistance in Nope." #OpenAccess
https://www.flowjournal.org/2023/08/gazing-upwards/

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flowtv FLOW @flowtv ·
2 May

Happy Tuesday, and happy Volume 29.07 release day! The final issue of Flow in the spring features work from @baker_r_r, @Naledgesince82, @caitmckinney, @MichaelSocolow, and Michele White! Read the full issue here: http://flowjournal.org

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flowtv FLOW @flowtv ·
7 Apr

TGIF!! Celebrate by reading vol. 29.06-up on the site now. Thx to @jenholt13 @rebeccasholt @kevindriscoll and @TrueIcaRash for their contributions!!

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