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A Critical Forum on Media and Culture

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Category: 13.07

Bromance and the Boys of Boston Legal
Kelli Marshall / University of Toledo

January 28, 2011 Kelli Marshall / DePaul University 12 comments

Marshall explores the homosocial “bromance” of Alan Shore and Denny Crane in “Boston Legal” leading up to the series’ climax.

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1979 is 2011: Post-Punk on the Road Again
Norma Coates / University of Western Ontario

January 28, 2011 Norma Coates / University of Western Ontario 7 comments

Coates waxes nostalgic as the punk bands who defined p

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Problems in “Wellywood”: Rethinking the politics of transnational cultural labor
Bridget Conor / Goldsmiths College, University of London

January 28, 2011 Bridget Conor / Goldsmiths College, University of London 4 comments

Bridget Conor examines the politics of transnational cultural labor in last fall’s Hobbit dispute.

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Let’s All Read this Text
Ann Johnson / Cal State University, Long Beach

January 28, 2011 Ann Johnson / Cal State University, Long Beach 5 comments

An exploration of audience response to satire and the “ridiculous” through a video about a banana.

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Disaster Zones and the Performance of Television
Graeme Turner / University of Queensland

January 28, 2011 Graeme Turner / Queensland University 5 comments

The disastrous flooding in Queensland, AU, calls into question the way in which television engages with local communities during moments of crisis.

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Haunting Crime: the Gothic, the Grotesque and the Paranormal
Yvonne Tasker / University of East Anglia

January 28, 2011 Yvonne Tasker / University of East Anglia 2 comments

Tasker examines the linkage between the stylized traditions of the Gothic and the crime genre.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

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FlowTVFLOW@FlowTV·
16h

New to Over*Flow: Dan Vena and Sarah Woodstock argue that Netflix’s removal of Dahmer – Monster: The Jeffrey Dahmer Story from its LGBTQ TV category discards “unacceptable” queer history and protects the homonormativity of Netflix’s LGBTQ library.
https://www.flowjournal.org/2023/01/overflow-classifying-dahmer/

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FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

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FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

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