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Category: 13.07

Bromance and the Boys of Boston Legal
Kelli Marshall / University of Toledo

January 28, 2011 Kelli Marshall / DePaul University 12 comments

Marshall explores the homosocial “bromance” of Alan Shore and Denny Crane in “Boston Legal” leading up to the series’ climax.

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1979 is 2011: Post-Punk on the Road Again
Norma Coates / University of Western Ontario

January 28, 2011 Norma Coates / University of Western Ontario 7 comments

Coates waxes nostalgic as the punk bands who defined p

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Problems in “Wellywood”: Rethinking the politics of transnational cultural labor
Bridget Conor / Goldsmiths College, University of London

January 28, 2011 Bridget Conor / Goldsmiths College, University of London 4 comments

Bridget Conor examines the politics of transnational cultural labor in last fall’s Hobbit dispute.

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Let’s All Read this Text
Ann Johnson / Cal State University, Long Beach

January 28, 2011 Ann Johnson / Cal State University, Long Beach 5 comments

An exploration of audience response to satire and the “ridiculous” through a video about a banana.

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Disaster Zones and the Performance of Television
Graeme Turner / University of Queensland

January 28, 2011 Graeme Turner / Queensland University 5 comments

The disastrous flooding in Queensland, AU, calls into question the way in which television engages with local communities during moments of crisis.

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Haunting Crime: the Gothic, the Grotesque and the Paranormal
Yvonne Tasker / University of East Anglia

January 28, 2011 Yvonne Tasker / University of East Anglia 2 comments

Tasker examines the linkage between the stylized traditions of the Gothic and the crime genre.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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