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Category: 25.05

Complaint as Diversity Work in Sports Media
Courtney M. Cox / University of Southern California

April 27, 2019 Courtney M. Cox / University of Southern California Leave a comment

Drawing from her own experiences working for ESPN and applying Sara Ahmed’s concept of “complaint as diversity work,” Courtney M. Cox interrogates the lack of diversity in sports media and offers a multi-pronged approach to improving inclusivity in a notoriously white male industry.

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A Lego Theory of Academia & Fandom
Jenny Keegan / Louisiana State University Press

April 27, 2019 Jenny Keegan / Louisiana State University Press Leave a comment

Jenny Keegan summarizes the way academia and fandom can both be theorized as Lego sets: ready for communities to build up and together.

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Stream Heat: Netflix, Broadway Theatre, and Industrial Convergence
Peter C. Kunze / Eckerd College

April 27, 2019 Peter C. Kunze / Eckerd College One comment

Peter C. Kunze examines Netflix’s budding interest in Broadway theatre, which continues film and television’s longstanding investment in theatrical entertainment.

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Beyond Journal Articles: Navigating the NTRO (Non-Traditional Research Outcome)
Siobhán McHugh / University of Wollongong, Australia

April 27, 2019 Siobhán McHugh / University of Wollongong, Australia 3 comments

Siobhán McHugh discusses how the podcasting boom is triggering exciting new interdisciplinary collaborations that harness the under-appreciated power of audio as a research platform.

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Lucifer’s Women and Doctor Dracula: Conjuring a Cult-Cult Canon, Pt. 3
Phil Oppenheim / Oppanopticom / EPIX / Brown Sugar SVOD

April 27, 2019 Phil Oppenheim / Oppanopticom / EPIX / Brown Sugar, SVOD 2 comments

Phil Oppenheim concludes his exploration of the cult-cult canon with Doctor Dracula, an exploitative film with Hollywood connections that was assembled in a cut-and-paste fashion from the 1974 release of Lucifer’s Women.

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No More Room for You: Reading Between the Lines of Netflix’s Claims of Inclusivity
Jacinta Yanders / The Ohio State University

April 27, 2019 Jacinta Yanders / The Ohio State University Leave a comment

Jacinta Yanders questions Netflix’s decision to cancel One Day at a Time amidst their own visible campaigns for inclusivity and representation on-screen.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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