Skip to content

Flow

A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • How to Contribute
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Tag: women in television

The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

November 29, 2021 Kelly Coyne / Northwestern University 4 comments

Kelly Coyne addresses “cruel optimism” in The Chair and The Bold Type, critiquing how American capitalism motivates its workers with the mantra that advancement, and the power that comes with it, leads to satisfaction.

Read more

Over*Flow: Queen of the Neighborhood: Monse Finnie Mobilizes and Defies the Ingenue Trope in Netflix’s On My Block
Stephanie Melissa Perez / University of Illinois at Urbana-Champaign

October 8, 2021 Stephanie Melissa Perez / University of Illinois at Urbana-Champaign 2 comments

Stephanie Melissa Perez explores how On My Block’s Monse experiences her own objectification and challenges stereotypes of ingenues and Black and Latinx girls.

Read more

Women Horror Hosts in the Southern United States, 1957-1960
Caroline N. Bayne / University of Minnesota, Twin Cities

February 1, 2021 Caroline N. Bayne / University of Minnesota, Twin Cities 2 comments

Caroline N. Bayne takes a closer look at the women behind the iconic horror personas working in Southern U.S. television during the 1950s.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

@FlowTV Conversations…

@FlowTVFollow

FLOW
FlowTVFLOW@FlowTV·
17h

Sidney Garner reminisces on her hair care journey as a Black woman through Dr. Aria Halliday's concept of Black women cultural producers. @GarnerSidney

https://www.flowjournal.org/2022/08/hair-journey-black-women/

Reply on Twitter 1559555594071093250Retweet on Twitter 15595555940710932501Like on Twitter 15595555940710932505Twitter 1559555594071093250
FlowTVFLOW@FlowTV·
15 Aug

Peter Arne Johnson theorizes how pure play streaming services like Netflix have discursively deployed audience affect and speculation to inflate their market valuations. @itsnottvitspete

https://www.flowjournal.org/2022/08/speculative-affect-streaming/

Reply on Twitter 1559193203949142016Retweet on Twitter 15591932039491420164Like on Twitter 15591932039491420169Twitter 1559193203949142016
FlowTVFLOW@FlowTV·
12 Aug

Tara Coughlin examines the usefulness of the creative labor of video essayists to streaming services such as Amazon Prime and Netflix. @TaraCough

https://www.flowjournal.org/2022/08/the-branded-video-essay/

Reply on Twitter 1558106032756367362Retweet on Twitter 15581060327563673621Like on Twitter 15581060327563673626Twitter 1558106032756367362
Load More...

Popular Posts

  • The Devil in the Details: User Tracking Is Hurting More Than Our Privacy, It’s Doing Serious Damage to Public-Interest Media, Too.
    Josh Braun / UMass Amherst
    February 22, 2019 273 comments
  • Pass the Remote: Online News

    June 10, 2005 197 comments
  • Legal Fictions

    June 10, 2005 149 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 99 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 96 comments

Tags

Academia Advertising American Politics Celebrity/Stardom Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Globalization Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media streaming Technology Television UK Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Whiteness Youth Culture