Protected: Over*Flow: “Birth is Violent”: Television’s Response to Post-Roe Reproductive Politics
Reut Odinak / Boston University
There is no excerpt because this is a protected post.
Read moreTag: television history
Protected: Over*Flow: “Birth is Violent”: Television’s Response to Post-Roe Reproductive Politics
Chicago 1968 and the Kaleidoscopic Mosaic of the 1960s TV News Experience
Michael Socolow / University of Maine
Dr. Michael Socolow recounts how television coverage of the 1968 Democratic National Convention in Chicago ignited discussion about the accuracy of television reporting, in addition to raising questions about how viewers interpret TV news.
Read moreTechnical Failures as Symptoms of Social Success on Glenn O’Brien’s TV Party
Kara Carmack / The University of Texas at Austin
Kara Carmack historicizes the counterhegemonic technical failures on Glenn O’Brien’s public access TV Party.
Read moreLAW AND ORDER AND TV CRIME: HOW DID WE GET HERE?
CATHERINE MARTIN / DENISON UNIVERSITY
Catherine Martin lays out a historical trajectory of crime and policing on television.
Read moreWomen Horror Hosts in the Southern United States, 1957-1960
Caroline N. Bayne / University of Minnesota, Twin Cities
Caroline N. Bayne takes a closer look at the women behind the iconic horror personas working in Southern U.S. television during the 1950s.
Read moreOver*Flow: New Year’s Eve in front of the TV, 1959: What was on, why does it matter, and where can I see it?
Kit MacFarlane / University of South Australia
Kit MacFarlane cross-references television archives to recreate and analyze the primetime schedule of New Year’s Eve 1959.
Read moreOn Feminism, Racism, and Bewitched‘s Not-So-Magical Politics of Fun Phoebe Bronstein / University of California San Diego
Phoebe Bronstein examines how Bewitched reinforced exclusionary white feminism and how this exclusion continues to affect the modern women’s movement and marketable, consumerist feminism.
Read moreMary Tyler Moore: The Exemplary Disruption of the Single City Girl Archetype
Charisse L’Pree / Syracuse University
Charisse L’Pree examines the historical representation of women in the sitcom and traces the development of what she terms the “Single City Girl” archetype.
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