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A Critical Forum on Media and Culture

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Tag: streaming wars

“Streaming Wars and the Future of Video,” It’s Not What You Think…
Siobhan O’Flynn / University of Toronto

March 2, 2020 Siobhan O'Flynn / University of Toronto 3 comments

Siobhan O’Flynn critically analyzes how Netflix and The Walt Disney Company have employed specific strategies for their respective streaming platforms.

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Network(ed) Spectatorship: Nation, Nostalgia, and Broadcast Streaming on CBS All Access
Cara Dickason / Northwestern University

March 2, 2020 Cara Dickason / Northwestern University 32 comments

Cara Dickason uses CBS All Access’ The Good Fight to explore the role of the public interest when a broadcast network migrates to a streaming platform.

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Rethinking the Legacy of MVPDs Through Content Aggregation
Mike Van Esler / University of Wisconsin-Oshkosh

March 2, 2020 Mike Van Esler / University of Wisconsin-Oshkosh Leave a comment

Mike Van Esler considers the role of content aggregators and offers an ecological framework that focuses on the supraplatforms of the streaming media industry.

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Can Television Diversity Overcome the Rise of Algorithmic Recommendations?
Mark D. Pepper / Utah Valley University

March 2, 2020 Mark Pepper / Utah Valley University One comment

Mark D. Pepper ponders the effects of Netflix’s algorithm on categorization, diversity, and truth.

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A Streaming Comes Across the Sky: Peak TV and the Fate of Nostalgia
Siobhan Lyons / Macquarie University

March 2, 2020 Siobhan Lyons / Macquarie University Leave a comment

As audiences become ever more fragmented, Siobhan Lyons looks at the ways communal nostalgia is increasingly giving way to niche nostalgia.

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Confronting the Swarm: Streaming Platform Strategy in an Uncertain Age
Jake Pitre / Concordia University

March 2, 2020 Jake Pitre / Concordia University One comment

Focusing on the Criterion Channel, Jake Pitre interrogates the curatorial strategies of cinephilic streaming platforms.

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“Rainbow Is the New Black”: Netflix’s Queer Marketing Moment
Joseph Harrison / University of Warwick

March 2, 2020 Joseph Harrison / University of Warwick Leave a comment

Joseph Harrison takes up Netflix’s recent ambiguously political advertising campaign in Italy.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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FlowTVFLOW@FlowTV·
20 May

Sarah E.S. Sinwell details how one art house cinema continues to adapt to the pandemic while serving its local community. @sinwelleffect

Read more at:
https://www.flowjournal.org/2022/05/portrait-of-an-art-house-during-a-pandemic-part-2/

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FlowTVFLOW@FlowTV·
19 May

Maggie Hennefeld discusses efforts to curate 99 silent films spotlighting early film feminism, and discusses the challenges of navigating the early feminist film archive. @magshenny

Read more at:
https://www.flowjournal.org/2022/05/cinemas-first-nasty-women/

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FlowTVFLOW@FlowTV·
18 May

Helen Wheatley discusses the recent proliferation of afterlife-themed television shows and how creators navigate multiple conceptions of "post-death experience." @hmwheatley

Read the full article at:
https://www.flowjournal.org/2022/05/persistence-of-the-soul/

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