A Critical Forum on Media and Culture
Siobhan O’Flynn critically analyzes how Netflix and The Walt Disney Company have employed specific strategies for their respective streaming platforms.
Read moreCara Dickason uses CBS All Access’ The Good Fight to explore the role of the public interest when a broadcast network migrates to a streaming platform.
Read moreMike Van Esler considers the role of content aggregators and offers an ecological framework that focuses on the supraplatforms of the streaming media industry.
Read moreMark D. Pepper ponders the effects of Netflix’s algorithm on categorization, diversity, and truth.
Read moreAs audiences become ever more fragmented, Siobhan Lyons looks at the ways communal nostalgia is increasingly giving way to niche nostalgia.
Read moreFocusing on the Criterion Channel, Jake Pitre interrogates the curatorial strategies of cinephilic streaming platforms.
Read moreJoseph Harrison takes up Netflix’s recent ambiguously political advertising campaign in Italy.
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