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A Critical Forum on Media and Culture

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Tag: audiences

The Future of the Ratings Panel
Jennifer Hessler / Bucknell University

May 4, 2020 Jennifer Hessler / Bucknell University Leave a comment

Jennifer Hessler discusses the place of Nielsen and comScore’s ratings panels in the digital age.

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Interactive Television as a Cultural Forum: Storytelling and Meaning-Making in Black Mirror: Bandersnatch
Ryan Stoldt / University of Iowa

February 3, 2020 Ryan Stoldt / University of Iowa Leave a comment

Interrogating audiences’ ability to share ideological interpretations of interactive texts, Ryan Stoldt argues people’s cultural tastes impact the range of questions they will encounter through interactive texts.

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The Algorithmic Audience and African American Media Cultures
Tim Havens / University of Iowa

October 30, 2017 Tim Havens / University of Iowa 2 comments

Tim Havens considers Netflix as a case study to develop a typology for studying the role of algorithmic audience analysis in commercial African American streaming culture.

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Audiences as Subscribers and Netflix’s Notions of Success
Lane Mann / University of Texas at Austin

July 22, 2016 Lane Mann 8 comments

Lane Mann looks into SVOD audience constructions, brand strategies, and definitions of success in order to understand the industry’s ever-changing views of audiences.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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FlowTVFLOW@FlowTV·
6h

Isabel Molina-Guzmán discusses how Bridgerton's escapist narrative produces a nostalgia that simultaneously erases histories of racial conflict, generates pleasure in non-white audiences, and maintains white subjectivity. @LaProfaMolina

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https://www.flowjournal.org/2022/05/bridgertons-romance-with-racial-nostalgia/

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20 May

Sarah E.S. Sinwell details how one art house cinema continues to adapt to the pandemic while serving its local community. @sinwelleffect

Read more at:
https://www.flowjournal.org/2022/05/portrait-of-an-art-house-during-a-pandemic-part-2/

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19 May

Maggie Hennefeld discusses efforts to curate 99 silent films spotlighting early film feminism, and discusses the challenges of navigating the early feminist film archive. @magshenny

Read more at:
https://www.flowjournal.org/2022/05/cinemas-first-nasty-women/

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