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A Critical Forum on Media and Culture

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Tag: 27.08

Liberation and Learning from the 60s in One Night in Miami
Christina N. Baker / University of California, Merced

June 8, 2021 Christina N. Baker / University of California, Merced Leave a comment

Christina N. Baker applies Audre Lorde’s musing on collective liberation to the film One Night in Miami to pose there is power in unity.

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Bundling Merch into the Comfort Economy
Alyx Vesey / University of Alabama

June 8, 2021 Alyx Vesey / University of Alabama Leave a comment

Alyx Vesey analyzes how artistic entrepreneurship in the music industry through the use of merchandise has changed in the wake of COVID-19 concert cancellations, as well as how this merchandise forms part of “a consumerist response to societal collapse.”

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Rebooting Whiteness, Complicating Latinidad: The Struggles of Latinx TV Remakes
Crystal Camargo / Northwestern University

June 8, 2021 Crystal Camargo / Northwestern University Leave a comment

Using Charmed and One Day at a Time as case studies, Crystal Camargo examines the ways in which representation in Latinx reboots is complicated and constructed by their white “original” texts.

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Family Brands: From the Nelsons to the Kardashians
Cynthia Meyers / College of Mount Saint Vincent

June 8, 2021 Cynthia Meyers / College of Mount Saint Vincent Leave a comment

Cynthia Meyers theorizes the “family brand,” discussing examples from The Adventures of Ozzie and Harriet to Keeping Up with the Kardashians.

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By Any Platforms Necessary: The Makeshift Infrastructures of Bogota’s Public School Communities During the Covid-19 Pandemic
Andres Lombana-Bermudez / Universidad Javeriana

June 4, 2021 Andres Lombana-Bermudez / Universidad Javeriana 6 comments

Andres Lombana-Bermudez reflects on how Colombian public school systems utilized Information Communication Technologies (ICT) throughout the COVID-19 pandemic.

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Love in the Time of Coronavirus
Lauren Rouse and Mel Stanfill / University of Central Florida

June 4, 2021 Lauren Rouse and Mel Stanfill / University of Central Florida 3 comments

Lauren Rouse and Mel Stanfill examine COVID-19 fan fiction on the Archive of Our Own to see whose experiences of the virus are present—and absent—in these stories.

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On the (In)Visibility of Female Gamers
Amanda C. Cote / University Of Oregon

June 4, 2021 Amanda C. Cote / University of Oregon One comment

Amanda C. Cote challenges the idea that women in gaming is a new trend, exploring how a continual surprise at women’s presence in gaming communities undermines their historical contributions in the field.

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From Network Syndicator to Adult Disney: A Brief History Of Hulu
Eleanor Patterson / Auburn University

June 3, 2021 Eleanor Patterson / Auburn University 2 comments

Eleanor Patterson analyzes Hulu’s initial aim of adapting broadcast distribution logics into streaming distribution and the service’s contemporary shift to an “Adult Disney” service.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

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FlowTVFLOW@FlowTV·
27 Jan

New to Over*Flow: Dan Vena and Sarah Woodstock argue that Netflix’s removal of Dahmer – Monster: The Jeffrey Dahmer Story from its LGBTQ TV category discards “unacceptable” queer history and protects the homonormativity of Netflix’s LGBTQ library.
https://www.flowjournal.org/2023/01/overflow-classifying-dahmer/

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FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

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FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

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