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Tag: 25.05

Complaint as Diversity Work in Sports Media
Courtney M. Cox / University of Southern California

April 27, 2019 Courtney M. Cox / University of Southern California Leave a comment

Drawing from her own experiences working for ESPN and applying Sara Ahmed’s concept of “complaint as diversity work,” Courtney M. Cox interrogates the lack of diversity in sports media and offers a multi-pronged approach to improving inclusivity in a notoriously white male industry.

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A Lego Theory of Academia & Fandom
Jenny Keegan / Louisiana State University Press

April 27, 2019 Jenny Keegan / Louisiana State University Press Leave a comment

Jenny Keegan summarizes the way academia and fandom can both be theorized as Lego sets: ready for communities to build up and together.

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Stream Heat: Netflix, Broadway Theatre, and Industrial Convergence
Peter C. Kunze / Eckerd College

April 27, 2019 Peter C. Kunze / Eckerd College One comment

Peter C. Kunze examines Netflix’s budding interest in Broadway theatre, which continues film and television’s longstanding investment in theatrical entertainment.

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Beyond Journal Articles: Navigating the NTRO (Non-Traditional Research Outcome)
Siobhán McHugh / University of Wollongong, Australia

April 27, 2019 Siobhán McHugh / University of Wollongong, Australia 2 comments

Siobhán McHugh discusses how the podcasting boom is triggering exciting new interdisciplinary collaborations that harness the under-appreciated power of audio as a research platform.

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Lucifer’s Women and Doctor Dracula: Conjuring a Cult-Cult Canon, Pt. 3
Phil Oppenheim / Oppanopticom / EPIX / Brown Sugar SVOD

April 27, 2019 Phil Oppenheim / Oppanopticom / EPIX / Brown Sugar, SVOD 2 comments

Phil Oppenheim concludes his exploration of the cult-cult canon with Doctor Dracula, an exploitative film with Hollywood connections that was assembled in a cut-and-paste fashion from the 1974 release of Lucifer’s Women.

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No More Room for You: Reading Between the Lines of Netflix’s Claims of Inclusivity
Jacinta Yanders / The Ohio State University

April 27, 2019 Jacinta Yanders / The Ohio State University Leave a comment

Jacinta Yanders questions Netflix’s decision to cancel One Day at a Time amidst their own visible campaigns for inclusivity and representation on-screen.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: "I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

Over*Flow: “One Train!”: Race, Gender and Class in Snowpiercer
Riziki Millanzi / University of Sussex

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FLOW
FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

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FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

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disabledphdjess rauchberg@disabledphd·
6 Jan

‼️ 10 more days to submit! ‼️

@TomDivon & I are guest editing this special issue on BeReal and platform authenticities for @FlowTV.

This might be one of the *first* scholarly forums on BeReal! Submit your essays by Jan 15 to FlowJournalEditors@gmail.com. And please RT! https://twitter.com/FlowTV/status/1599820038071992320

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