Skip to content

Flow

A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • How to Contribute
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Author: Derek Kompare / Southern Methodist University

Past Media, Present Flows
Derek Kompare / Southern Methodist University

September 28, 2014 Derek Kompare / Southern Methodist University Leave a comment

Derek Kompare relates his discussion from the Core Conversation focusing on TV preservation, examining past media within the contemporary media landscape along with the whys and hows of its preservation and access.

Read more

Streaming as Shelving: The Media Past in the Media Future
Derek Kompare / Southern Methodist University

May 5, 2014 Derek Kompare / Southern Methodist University One comment

A discussion over the emerging online distributions of media, and their effects on previous distribution channels.

Read more

Adverstreaming: Hulu Plus
Derek Kompare / Southern Methodist University

February 24, 2014 Derek Kompare / Southern Methodist University 4 comments

An analysis about Hulu’s growth and strategies regarding its streaming service.

Read more

Cult Streaming: Warner Archive Instant
Derek Kompare / Southern Methodist University

December 16, 2013 Derek Kompare / Southern Methodist University 2 comments

Rethink the transition from physical to virtual medias by highlighting Warner Archive Instant.

Read more

Producers, Publics, and Podcasts: Where Does Television Happen?

January 26, 2006 Derek Kompare / Southern Methodist University 7 comments

by: Derek Kompare / Southern Methodist University
An investigation of the tangled creative relationship between fans and the television industry in the age of the internet.

Read more

We Are So Screwed: Invasion TV

November 18, 2005 Derek Kompare / Southern Methodist University 3 comments

by: Derek Kompare / Southern Methodist University
Making sense of the supernatural on prime-time.

Read more

Reality TV

September 23, 2005 Derek Kompare / Southern Methodist University One comment

by: Derek Kompare / Southern Methodist University
How Hurricane Katrina can reshift how we define reality TV worth watching.

Read more

Teaching Television, or What I’ve Learned From Flow

July 22, 2005 Derek Kompare / Southern Methodist University 4 comments

by: Derek Kompare / Southern Methodist University
Rediscovering the excitement of teaching television studies.

Read more

The Seeds of Doom?

May 13, 2005 Derek Kompare / Southern Methodist University 4 comments

by: Derek Kompare / Southern Methodist University
What the new Doctor Who can tell us about the machinations of cultural globalization.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

"Blonde is a Kind of Person": A Cultural History of the Dumb Blonde
Kelly Coyne / Northwestern University

Fan Demographics on Archive of Our Own
Lauren Rouse & Mel Stanfill / University of Central Florida

@FlowTV Conversations…

@FlowTVFollow

@·
now

Reply on Twitter Retweet on Twitter Like on Twitter Twitter
Load More...

Popular Posts

  • The Devil in the Details: User Tracking Is Hurting More Than Our Privacy, It’s Doing Serious Damage to Public-Interest Media, Too.
    Josh Braun / UMass Amherst
    February 22, 2019 280 comments
  • Pass the Remote: Online News

    June 10, 2005 198 comments
  • Legal Fictions

    June 10, 2005 163 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 102 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 98 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Globalization Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media streaming Technology Television UK Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Whiteness Youth Culture