Skip to content

Flow

A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • How to Contribute
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Author: Caetlin Benson-Allott / Georgetown University

A So-Called “Agent of Chaos”: James Eagan Holmes, Theater Violence, and the Myth of White Exceptionalism
Caetlin Benson-Allott / Georgetown University

April 24, 2017 Caetlin Benson-Allott / Georgetown University 2 comments

In this column, Caetlin Benson-Allott argues that the reaction to James Eagan Holmes’ 2012 shooting in an Aurora, Colorado theater was driven by white privilege and an ahistorical view on theater shootings in general.

Read more

“I Just Expect There To Be Some Trouble”: Boyz N the Hood and Racialization of Cinema Violence
Caetlin Benson-Allott / Georgetown University

February 27, 2017 Caetlin Benson-Allott / Georgetown University One comment

In this article, Caetlin Benson-Allott focuses on the racist backlash to incidents of violence surrounding the release of Boyz N the Hood and other films such as New Jack City and Do The Right Thing

Read more

“Warriors, Come Out to Play”: Considering the Role of Films in Moral Panics about Cinema Violence
Caetlin Benson-Allott / Georgetown University

November 28, 2016 Caetlin Benson-Allott / Georgetown University 12 comments

In this column, Caetlin Benson-Allott argues that the moral panic following the 1979 release of The Warriors was the result of latent, coded racism on the part of both the media and the public.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

"Blonde is a Kind of Person": A Cultural History of the Dumb Blonde
Kelly Coyne / Northwestern University

Fan Demographics on Archive of Our Own
Lauren Rouse & Mel Stanfill / University of Central Florida

@FlowTV Conversations…

@FlowTVFollow

FLOW
FlowTVFLOW@FlowTV·
22 Mar

New in Over*Flow: @kellymcoyne examines cultural anxiety and ambivalence around the "dumb blonde" stereotype in "Blonde is a Kind of Person": A Cultural History of the Dumb Blonde. Check it out! https://www.flowjournal.org/2023/03/cultural-history-dumb-blonde/

Reply on Twitter 1638592673333354500Retweet on Twitter 16385926733333545001Like on Twitter 16385926733333545002Twitter 1638592673333354500
FlowTVFLOW@FlowTV·
6 Mar

Monday, Flow day!! Volume 29.05 is now live on the website. ! Head on over to http://flowjournal.org to read the first installment of work by @bimmbles , @trilliz, @kingisafink, @influencerlabor, and @westemilye!

Reply on Twitter 1632773532873531392Retweet on Twitter 163277353287353139211Like on Twitter 16327735328735313929Twitter 1632773532873531392
FlowTVFLOW@FlowTV·
22 Feb

New in Over*Flow: @rouselaurenc and @melstanfill present the results of a survey of users of popular fan fiction hosting site http://archiveofourown.org, providing updated statistics on fan fiction readers and writers. https://www.flowjournal.org/2023/02/fan-demographics-on-ao3/

Reply on Twitter 1628530472077623299Retweet on Twitter 162853047207762329925Like on Twitter 162853047207762329930Twitter 1628530472077623299
Load More...

Popular Posts

  • The Devil in the Details: User Tracking Is Hurting More Than Our Privacy, It’s Doing Serious Damage to Public-Interest Media, Too.
    Josh Braun / UMass Amherst
    February 22, 2019 278 comments
  • Pass the Remote: Online News

    June 10, 2005 197 comments
  • Legal Fictions

    June 10, 2005 156 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 102 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 97 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Globalization Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media streaming Technology Television UK Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Whiteness Youth Culture