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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Category: 7.03

Television, Film and Creative Labor

December 6, 2007 David Hesmondhalgh / University of Leeds 4 comments


An examination of labor and class in the fields of television and film.

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Technofetishized TV: CSI, Bones, and ReGenesis as Science Fiction Television?

November 16, 2007 Rochelle Rodrigo / Mesa Community College 9 comments


Contemporary science fiction series question the bounds of the genre and the rise of infallible technology.

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Missing in Time: Madeleine McCann and the Media

November 16, 2007 Karen Lury / University of Glasgow 5 comments


How Madeleine went missing in an inundation of media coverage.

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Huntsman v. Soderbergh and Copyright Law

November 16, 2007 Christopher Jordan / St. Cloud State University 2 comments


How companies such as Cleanflix and Clearplay have led to new interpretations of copyright law and fair use.

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Darkly Dreaming of Dexter: If Loving Him Is Wrong I Don’t Want To Be Right

November 16, 2007 Bambi Haggins / Arizona State University 12 comments

An analysis of the appeal of the eponymous anti-hero in Showtime’s black comedy/crime drama “Dexter.”

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Post-Closet Television
Ron Becker / Miami University

November 16, 2007 Ron Becker / Miami University 6 comments


Discusses the changing representations of gay and straight men in “post-closet” network television as well as the ideological implications of this new era.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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9h

Tara Coughlin examines the usefulness of the creative labor of video essayists to streaming services such as Amazon Prime and Netflix. @TaraCough

https://www.flowjournal.org/2022/08/the-branded-video-essay/

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11 Aug

Katie Hoovestol examines Netflix's branded YouTube account Still Watching Netflix as an extension of Netflix's cross-platform ecosystem. @kthoov

https://www.flowjournal.org/2022/08/still-watching-netflix/

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10 Aug

Hannah Wold traces how the horror text, Scream: The TV Series, received reviews that precluded it from discourses of quality and the distinction granted to the Scream film franchise.

https://www.flowjournal.org/2022/08/legitimation-and-scream-the-tv-series/

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