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A Critical Forum on Media and Culture

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Category: 27.10

BILLBOARD’S HOT 100 CHART: INDUSTRIALIZED MAINSTREAMS AND CROSSOVERS
Luis E. Rivera-Figueroa / University of Texas at Austin

August 10, 2021 Luis Rivera-Figueroa / University of Texas at Austin Leave a comment

Luis Rivera-Figueroa questions the concepts of mainstream and crossover as categories constructed by industrial practices.

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“Life Is Business and Business Is Life”: The Big Shot with Bethenny and the Social Factory
Ryan David Briggs / University of texas at austin

August 10, 2021 Ryan David Briggs / University of Texas at Austin 2 comments

Ryan David Briggs describes how The Big Shot with Bethenny reflects the increasing demands of the real world job search.

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Art Imitates LIFE, NFT verifies ART: Walter Benjamin and Vault by CNN
Andy fischer Wright / University of Texas at Austin

August 10, 2021 Andy Fischer Wright / University of Texas at Austin 16 comments

Andy Fischer Wright examines the commodification of non-fungible tokens (NFTs) by large media organizations in relation to Walter Benjamin’s (1935) “Art in the Age of Mechanical Reproduction.”

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I Need To Tell You Something: The Confessional Mode In Television
Alex Remington / University of Texas at Austin

August 10, 2021 Alex Remington / University of Texas at Austin 3 comments

Alex Remington explores the complicated set of logics and ethics in the confessional form in reality television.

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In on the Joke: Self-Aware Advertising in Comedy
Kellie Veltri / University of Texas at Austin

August 10, 2021 Kellie Veltri / University of Texas at Austin 2 comments

Kellie Veltri explores the concept and applications of self-aware product integration in television network comedies.

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THE EUROPEAN SUPER LEAGUE: DISRUPTION IN FOOTBALL AND TELEVISION
KATHRYN HARTZELL / UNIVERSITY OF TEXAS AT AUSTIN

August 10, 2021 Kathryn Hartzell / University of Texas at Austin One comment

Kathryn Hartzell discusses the failed European Super League and the influence of television rights and growing global audiences on football.

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“Cinema is Here to Stay”: Alamo Drafthouse and the Moviegoing Experience
Emily McTiernan / University of Texas at Austin

August 10, 2021 Emily McTiernan / University of Texas at Austin One comment

Emily McTiernan examines Alamo Drafthouse’s moviegoing model and its viability in the exhibition market.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Fan Demographics on Archive of Our Own
Lauren Rouse & Mel Stanfill / University of Central Florida

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

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FLOW
FlowTVFLOW@FlowTV·
6 Mar

Monday, Flow day!! Volume 29.05 is now live on the website. ! Head on over to http://flowjournal.org to read the first installment of work by @bimmbles , @trilliz, @kingisafink, @influencerlabor, and @westemilye!

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FlowTVFLOW@FlowTV·
22 Feb

New in Over*Flow: @rouselaurenc and @melstanfill present the results of a survey of users of popular fan fiction hosting site http://archiveofourown.org, providing updated statistics on fan fiction readers and writers. https://www.flowjournal.org/2023/02/fan-demographics-on-ao3/

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FlowTVFLOW@FlowTV·
14 Feb

Happy Flow-entines Day! We are proud to announce the release of special issue Volume 29.04, "The Struggle Is (for) Real: Cultivating Authenticity in the 'BeReal' age"! Thanks to guest editors @TomDivon and @disabledphd. Read the full issue here: http://flowjournal.org

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