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Category: 22.02

Textual Object
Nicholas Sammond / University of Toronto

November 23, 2015 Nicholas Sammond / University of Toronto One comment

Nicholas Sammond considers Disneyland as a text, engaging the amusement park as a textual (and intertextual) object and narrative in relation to Bakhtin’s concept of heteroglossia, in order to expand notions of textuality and its study.

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“Smart is the New Cool”: Branding Project MC2’s S.T.E.M. Lifestyle
Avi Santo / Old Dominion University

November 23, 2015 Avi Santo / Old Dominion University 2 comments

Avi Santo explores the ways in which Project MC2 attempts to sell a brand and S.T.E.M to young girls.

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Wicked Games, Part I: Twenty-sided Demons
Matthew Payne / University of Alabama
Peter Alilunas / University of Oregon

November 23, 2015 Matthew Payne / University of Alabama & Peter Alilunas / University of Oregon One comment

A history of controversies surrounding tabletop role-playing game Dungeons and Dragons

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Miss Representations: No Room for Blackness or Feminism on Mad Men’s Sets
Whitten Overby / Cornell University

November 23, 2015 Whitten Overby / Cornell University 3 comments

Whitten Overby argues that the modern architectural spaces and sets in AMC’s Mad Men assert white, patriarchal ideologies that challenge feminist readings of the show and illustrate the show’s shortcomings in exploring issues of racial discrimination.

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Girl as Sign: Epistemology of the Shōjo
Coco Zhou / McGill University

November 22, 2015 Coco Zhou / McGill University 4 comments

Coco Zhou examines the male and female identification process and gender dynamics underlying the shojo figure in Japanese anime and visual and popular culture.

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Hybridity, Extratextuality and the Docudrama:
Re-evaluating ‘Spoilers’ in The Jinx

Laura Minor
 / Keele University

November 21, 2015 Laura Minor / Keele University 4 comments

Laura Minor explores the ambiguity of contemporary documentary forms, examining Andrew Jarecki’s documentary mini-series The Jinx in relation to the television documdrama, analyzing its hybridity, extratextuality, and its presentation of “real life” spoilers.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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FlowTV
flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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