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Category: 21.06

Content That Travels: International Content and Original Programming on U.S. Streaming Sites
Karen Petruska / University of California, Santa Barbara

April 22, 2015 Karen Petruska / UC Santa Barbara One comment

Many new questions arise in the wake of digital television distribution and the internationalization of the American television landscape.

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Ghost Directors in the Auteur Machine David Church / Indiana University

April 21, 2015 David Church / Indiana University 2 comments

A consideration of why a directorial equivalent to the ghostwriters of the publishing world has yet to emerge.

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Your Tumblr Makes Me Want To Study: Thoughts about the studyblr community Jacqueline Ryan Vickery / University of North Texas

April 21, 2015 Jacqueline Vickery / University of North Texas 16 comments

A discussion about Tumblr as a discursive space for community building and learning.

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Neighed to Order: The Case of BoJack Horseman
Matt Sienkiewicz / Boston College

April 21, 2015 Matt Sienkiewicz / Boston College One comment

An examination of Netflix’s animated television show, BoJack Horseman’s, and the strategic effect of its uniquely multi-genre and highly referential storytelling approach.

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Industry Lore and Algorithmic Programming on Netflix
Nick Marx / Colorado State University

April 21, 2015 Nick Marx / Colorado State University One comment

Counters alarmist discourse about Netflix to explore the possibility for new creative possibilities from the site’s data-gathering techniques.

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Party Like It’s 1999: Another Wave of Network Nostalgia
Derek Johnson / University of Wisconsin-Madison

April 21, 2015 Derek Johnson / University of Wisconsin Leave a comment

A discussion of the recent trend in revivals of television shows of the 90s, with particular attention to whether it demonstrates industry stasis or creativity within franchise boundaries.

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Teaching Friday Night Lights
R. Colin Tait / Texas Christian University

April 21, 2015 R. Colin Tait / Texas Christian University One comment

The uniqueness of Friday Night Lights as a teaching tool far beyond the text.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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FlowTV
flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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