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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Category: 16.01

Digitizing India: the transformation from analog to digital cable television
Shanti Kumar/University of Texas at Austin

July 2, 2012 Shanti Kumar / University of Texas 4 comments

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Serialization and Genre Expectations: The Case of The Killing
Janet Staiger / University of Texas at Austin

July 2, 2012 Janet Staiger / University of Texas-Austin 4 comments

A look at how serialization can affect genre expectation for viewers of The Killing.

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“Television is made by human beings, my friend.”
Stephen Tropiano Ithaca College

July 2, 2012 Stephen Tropiano / Ithaca College 5 comments

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Don’t drop the SOAP: American Television’s Long-Lost Lesbian
Taylor Cole Miller / University of Wisconsin at Madison

July 2, 2012 Taylor Cole Miller / University of Georgia One comment

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Looking at Rock Stars
Thomas Swiss / University of Minnesota

July 2, 2012 Thomas Swiss / University of Minnesota One comment

Exploring how we can talk about photography and portraiture.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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FlowTVFLOW@FlowTV·
4h

Isabel Molina-Guzmán discusses how Bridgerton's escapist narrative produces a nostalgia that simultaneously erases histories of racial conflict, generates pleasure in non-white audiences, and maintains white subjectivity. @LaProfaMolina

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https://www.flowjournal.org/2022/05/bridgertons-romance-with-racial-nostalgia/

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20 May

Sarah E.S. Sinwell details how one art house cinema continues to adapt to the pandemic while serving its local community. @sinwelleffect

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https://www.flowjournal.org/2022/05/portrait-of-an-art-house-during-a-pandemic-part-2/

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19 May

Maggie Hennefeld discusses efforts to curate 99 silent films spotlighting early film feminism, and discusses the challenges of navigating the early feminist film archive. @magshenny

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https://www.flowjournal.org/2022/05/cinemas-first-nasty-women/

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