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Category: 25.01

Posting Up at Pigalle: The Online and Offline Worlds of Branded Basketball
Courtney M. Cox / University of Southern California

November 27, 2018 Courtney M. Cox / University of Southern California 2 comments

Courtney M. Cox discusses the famous Pigalle basketball court in Paris as a unique example of interactive transnational advertising that links viral marketing to the creative public consumption and experience of branded leisure space.

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Podcasting’s Dirty Secret: Audio Storytelling Takes Art, Craft—and Tons of Time
Siobhán McHugh / University of Wollongong

November 27, 2018 Siobhán McHugh / University of Wollongong, Australia 11 comments

Siobhán McHugh explores podcasting and audio storytelling as mediums and the artistry and skill involved in its production.

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Media Historiography Projects: One Librarian’s Hacks
Nedda H. Ahmed / Georgia State University / College of the Arts Librarian

November 27, 2018 Nedda Ahmed / Georgia State University One comment

Nedda Ahmed, College of the Arts Librarian at Georgia State University, offers several research hacks as well as an extensive list of accessible resources for students and scholars unable to travel to media-specific collections.

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Mass Reach After Mass Media
Josh Braun / University of Massachusetts Amherst

November 27, 2018 Josh Braun / University of Massachusetts Amherst 2 comments

Joshua Braun explores the relationship between distribution and conceptions of the public, from early postal networks to social media, and discusses the growing disconnect between inclusive public interest and the market-driven logics that propel corporate interests.

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Lucifer’s Women and Doctor Dracula: Conjuring a Cult-Cult Canon
Phil Oppenheim / Oppanopticom / EPIX / Brown Sugar SVOD

November 27, 2018 Phil Oppenheim / Oppanopticom / EPIX / Brown Sugar, SVOD 2 comments

Phil Oppenheim discusses forgotten cult horror films of the 1970s that could belong to what he terms a “cult-cult canon.”

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Dispatch from the Inaugural Fan Studies Network – North America Conference
Jenny Keegan / Louisiana State University Press

November 27, 2018 Jenny Keegan / Louisiana State University Press 2 comments

The inaugural Fan Studies Network-North America Conference took place in October 2018. In case you couldn’t make it, Jenny Keegan is here to fill you in.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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