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Category: 25.01

Posting Up at Pigalle: The Online and Offline Worlds of Branded Basketball
Courtney M. Cox / University of Southern California

November 27, 2018 Courtney M. Cox / University of Southern California 2 comments

Courtney M. Cox discusses the famous Pigalle basketball court in Paris as a unique example of interactive transnational advertising that links viral marketing to the creative public consumption and experience of branded leisure space.

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Podcasting’s Dirty Secret: Audio Storytelling Takes Art, Craft—and Tons of Time
Siobhán McHugh / University of Wollongong

November 27, 2018 Siobhán McHugh / University of Wollongong, Australia 15 comments

Siobhán McHugh explores podcasting and audio storytelling as mediums and the artistry and skill involved in its production.

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Media Historiography Projects: One Librarian’s Hacks
Nedda H. Ahmed / Georgia State University / College of the Arts Librarian

November 27, 2018 Nedda Ahmed / Georgia State University One comment

Nedda Ahmed, College of the Arts Librarian at Georgia State University, offers several research hacks as well as an extensive list of accessible resources for students and scholars unable to travel to media-specific collections.

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Mass Reach After Mass Media
Josh Braun / University of Massachusetts Amherst

November 27, 2018 Josh Braun / University of Massachusetts Amherst 2 comments

Joshua Braun explores the relationship between distribution and conceptions of the public, from early postal networks to social media, and discusses the growing disconnect between inclusive public interest and the market-driven logics that propel corporate interests.

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Lucifer’s Women and Doctor Dracula: Conjuring a Cult-Cult Canon
Phil Oppenheim / Oppanopticom / EPIX / Brown Sugar SVOD

November 27, 2018 Phil Oppenheim / Oppanopticom / EPIX / Brown Sugar, SVOD 3 comments

Phil Oppenheim discusses forgotten cult horror films of the 1970s that could belong to what he terms a “cult-cult canon.”

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Dispatch from the Inaugural Fan Studies Network – North America Conference
Jenny Keegan / Louisiana State University Press

November 27, 2018 Jenny Keegan / Louisiana State University Press 2 comments

The inaugural Fan Studies Network-North America Conference took place in October 2018. In case you couldn’t make it, Jenny Keegan is here to fill you in.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

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FlowTVFLOW@FlowTV·
27 Jan

New to Over*Flow: Dan Vena and Sarah Woodstock argue that Netflix’s removal of Dahmer – Monster: The Jeffrey Dahmer Story from its LGBTQ TV category discards “unacceptable” queer history and protects the homonormativity of Netflix’s LGBTQ library.
https://www.flowjournal.org/2023/01/overflow-classifying-dahmer/

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FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

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FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

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