Misogyny – Flow

Tits or GTFO: The Aggressive Architecture of the Internet
Alison Harvey / University of Leicester

May 24, 2019 Alison Harvey / University of Leicester One comment

Alison Harvey borrows concepts from critical architecture studies to argue that ‘active inactivity’ in dealing with toxic and hateful speech and action in the regulation of social media web sites functions as aggressive architecture, sidelining the concerns, needs, and well-being of Othered publics.

Ghostbusters, Queef Jokes, and a Woman’s Right to Make Noise
Alexis Carreiro / Queens University of Charlotte

January 22, 2017 Alexis Carreiro / Queens University of Charlotte 7 comments

Alexis Carreiro explores Ghostbusters‘s (2016) deployment of a queef joke in relation to the gendered history of fart jokes and the feminist implications of and social strictures against women making noise, both bodily and politically.

Of Bhakts, Deplorables and More: Posthuman Communities Performing Political Partisanship in the Age of Social Media
Sushant Kishore / BITS Pilani

December 18, 2016 Sushant Kishore / BITS Pilani Leave a comment

Sushant Kishore explores digital media, the performance of communitas and political partisanship, and posthuman social media communities through a comparative discussion of India’s 2014 General Election and the U.S. 2016 Presidential Election.

Tits or GTFO: The Aggressive Architecture of the Internet Alison Harvey / University of Leicester

Ghostbusters, Queef Jokes, and a Woman’s Right to Make Noise Alexis Carreiro / Queens University of Charlotte

Of Bhakts, Deplorables and More: Posthuman Communities Performing Political Partisanship in the Age of Social Media Sushant Kishore / BITS Pilani

Tits or GTFO: The Aggressive Architecture of the Internet
Alison Harvey / University of Leicester

Ghostbusters, Queef Jokes, and a Woman’s Right to Make Noise
Alexis Carreiro / Queens University of Charlotte

Of Bhakts, Deplorables and More: Posthuman Communities Performing Political Partisanship in the Age of Social Media
Sushant Kishore / BITS Pilani