A Critical Forum on Media and Culture
A Critical Forum on Media and Culture
Compared to Netflix, Disney+ has not experienced as much success with its original Korean series. Nonetheless, the global streaming platform has continuously invested in the production of Korean content, releasing a steady lineup of original series that spans different genres, especially crime thrillers.
Read moreHyun Jung Stephany Noh analyzes the immersive and interactive spectacles Netflix employs as transmedia marketing strategy for its “K-dystopian” dramas, an emerging post-Covid genre.
Read moreHyun-jung Stephany Noh explores the inter-industrial relationship between Korean local webtoons and K-dramas amidst the growing demand for K-drama production in the SVOD era.
Read moreAmanda Halprin explores the role of fansubbers as linguistic gatekeepers by examining the role of fansubbers on Viki.
Read moreAmanda Halprin examines the different translation and subtitling processes utilized by Netflix, DramaFever, and Viki in bringing global, foreign language digital content to U.S. audiences.
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