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Tag: 24.09

In Memoriam: Black Twitter and TV Cancellations
Jacqueline Johnson / University of Texas at Austin

July 2, 2018 Jacqueline Johnson / University of Pittsburgh One comment

Jacqueline Johnson demonstrates how looking at audience response to TV cancellations on Twitter can illustrate new themes in race and audience reception.

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Synergy of Attractions: Disney’s Not-So-Secret Weapon to Take on Netflix
Casey Walker / University of Texas at Austin

July 2, 2018 Casey Walker / University of Texas at Austin 5 comments

Casey Walker explores how Disney is using synergy between its content library and its theme parks as it prepares to launch a new streaming service to compete with Netflix.

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The Future of B.C.: Vancouver as Sci-Fi Television’s Ideal Media Capital
Rusty Hatchell / University of Texas at Austin

July 2, 2018 Rusty Hatchell / University of Texas at Austin 2 comments

Rusty Hatchell examines the shift in economic assertions regarding runaway production in Vancouver, British Columbia through high-budget sci-fi television.

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Superhero Noir: Expanding the Emotional Depth of Superhero Narratives in Jessica Jones
Katrina Margolis / University of Texas at Austin

July 2, 2018 Katrina Margolis / University of Texas at Austin 3 comments

Katrina Margolis considers the genre-bending of “Jessica Jones,” it’s blending of superhero and noir conventions, and the ways this bending of genre represents larger social and political issues for audiences.

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The Voices of Viki: Considering Fansubbers as Linguistic Gatekeepers
Amanda Halprin / University of Texas at Austin

July 2, 2018 Amanda Halprin / University of Texas at Austin 2 comments

Amanda Halprin explores the role of fansubbers as linguistic gatekeepers by examining the role of fansubbers on Viki.

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ATX Television Festival 2018

June 26, 2018 Lesley Willard / University of Texas at Austin Leave a comment

Outgoing Flow editor Lesley Willard compiled and contextualized UT Austin grad student coverage of the 2018 ATX TV Festival.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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flowtv FLOW @flowtv ·
29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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flowtv FLOW @flowtv ·
28 Oct

Guillermina Zabala Suárez asks: Can digital media become a device to create awareness of health issues in out communities?

Read it here: http://tinyurl.com/mt5secz3

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flowtv FLOW @flowtv ·
30 Jul

In a new essay, @LaurelPRogers examines the role of the fanboy auteur in HBO's backstage comedy "The Franchise," which satirizes Hollywood's superhero industrial complex. Read: https://www.flowjournal.org/2025/07/fanboy-auteur-hbo-franchise/

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