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A Critical Forum on Media and Culture

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Tim Havens / University of Iowa

Transnational Television Dramas and the Aesthetics of Conspicuous Localism
Tim Havens / University of Iowa

April 30, 2018 Tim Havens / University of Iowa 6 comments

Tim Havens discusses newer developments in high-end transnational television dramas, specifically noting the turn toward a stronger sense of place through “conspicuous localism.”

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Showtime’s The Chi and the Surge in Black-Cast TV Dramas
Tim Havens / University of Iowa

February 26, 2018 Tim Havens / University of Iowa 3 comments

Tim Havens explores the surge in high-quality black-cast dramas offered by subscription television services. By comparing contemporary series such as Showtime’s The Chi with African American television of the past, Havens asserts the industry is beginning to splinter the African American audience along divisions of taste cultures.

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The Algorithmic Audience and African American Media Cultures
Tim Havens / University of Iowa

October 30, 2017 Tim Havens / University of Iowa 2 comments

Tim Havens considers Netflix as a case study to develop a typology for studying the role of algorithmic audience analysis in commercial African American streaming culture.

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The Thirtieth Anniversary of Roots and the Deferred Dream of Black Drama

Tim Havens / University of Iowa

April 7, 2008 Tim Havens / University of Iowa 4 comments

As we enter a post-network television era, however, it is worth reassessing the promises and disappointments that came in the wake of Roots in order to understand the prospects for African American television today, especially dramatic series.

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Where Babies Really Come From…

January 29, 2008 Tim Havens / University of Iowa 4 comments

A Baby Story, it would seem, has become a present-day ritual for at least some segments of the expectant-parent population in the U.S.

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Guy-Coms and the Hegemony of Juvenile Masculinity

October 27, 2007 Tim Havens / University of Iowa 11 comments

“Guy-Coms” are making juvenile mascuinity hegemonic in U.S. culture.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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flowtv FLOW @flowtv ·
29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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flowtv FLOW @flowtv ·
28 Oct

Guillermina Zabala Suárez asks: Can digital media become a device to create awareness of health issues in out communities?

Read it here: http://tinyurl.com/mt5secz3

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flowtv FLOW @flowtv ·
30 Jul

In a new essay, @LaurelPRogers examines the role of the fanboy auteur in HBO's backstage comedy "The Franchise," which satirizes Hollywood's superhero industrial complex. Read: https://www.flowjournal.org/2025/07/fanboy-auteur-hbo-franchise/

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