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Rukmini Pande / O.P. Jindal Global University

Rukmini Pande is an Associate Professor in Communication and Literary Studies at O.P Jindal Global University, India. She is currently part of the editorial board of the Journal of Fandom Studies and Mallorn: The Journal of Tolkien Studies and has been published in multiple edited collections including the Wiley Companion to Media Fandom and Fan Studies and The Routledge Handbook of Popular Culture Tourism. She has also been published in peer reviewed journals such as Transformative Works and Cultures and The Journal for Feminist Studies. Her monography Squee From The Margins: Race in Fandom, was published in 2018 by the University of Iowa Press. Her edited collection, Fandom, Now In Color: A Collection of Voices, bringing together cutting-edge scholarship on race/ism in fandom, was published in December 2020.

Framing Fandom History: The effects of whiteness on memorialization
Rukmini Pande / O.P. Jindal Global University

November 16, 2021 Rukmini Pande / O.P. Jindal Global University One comment

Rukmini Pande traces how mainstream narratives of fandom history and fandom spaces have been characterized by white-centricity, racism, and anti-Blackness.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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