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Reighan Gillam / University of Michigan

Reighan Gillam received her Ph.D. from the Department of Anthropology at Cornell University. Her dissertation, “The Revolution Will Be Televised: Afro-Brazilian Media Production in São Paulo, Brazil” documents the work of the TV da Gente (Our TV) television network, hailed as the first network in Brazil to include equal racial representation as part of its mission. She argues that media workers at TV da Gente extended the field of racial politics from the state and NGOs to the mediated arena of commercial television by producing images of Afro-Brazilians that deviated from and opposed mainstream public representations of blackness. Overall, her dissertation contends that commercial television acts as a new site of and resource for black cultural politics in Brazil. Her work is published in Watching While Black: Centering the Television of Black Audiences (Rutgers University Press 2013) and in the Journal of Latin American and Caribbean Ethnic Studies.

The Afro-Brazilian Public Sphere
Reighan Gillam / University of Michigan

May 6, 2013 Reighan Gillam / University of Michigan One comment

An exploration of Afro-Brazilian media that complicates racial democracy in Brazil.

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Watching Everybody Hates Chris in Brazil
Reighan Gillam / University of Michigan

March 5, 2013 Reighan Gillam / University of Michigan 92 comments

This article examines racial democracy in Brazilian television.

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Notes on the Racial Contours of Visual Culture in São Paulo, Brazil
Reighan Gillam /University of Michigan

December 18, 2012 Reighan Gillam / University of Michigan 2 comments

An examination of the visual and racial representations of Afro-Brazilians in the public sphere.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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