Skip to content

Flow

A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • How to Contribute
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Author: Patricia Pisters / University of Amsterdam

Patricia Pisters is professor of film at the Department of Media Studies of the University of Amsterdam. She is one of the founding editors of the Open Access journal Necsus: European Journal of Media Studies. Publications include The Matrix of Visual Culture: Working with Deleuze in Film Theory (Stanford University Press, 2003); and The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture (Stanford University Press, 2012). Her book New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror will appear with Edinburgh University Press in 2020. She writes about the role of film and media in respect to (collective) consciousness; psychopathologies of contemporary media culture; and on the idea of filmmaker as metallurgist and alchemist of our times. See for articles, her blog, audio-visual material and other information also www.patriciapisters.com .

#FrontlineMessages
Patricia Pisters / University of Amsterdam

April 14, 2020 Patricia Pisters / University of Amsterdam

#Frontberichten allows those who work on the front lines to broadcast their messages to the Netherlands and the world. A striking effect of the COVID-19 crisis that first began in 2020 is an increase of both interpersonal social media and mass media such as national broadcasting. In The Netherlands the news and talk shows on public television have had many […]

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

Fan Demographics on Archive of Our Own
Lauren Rouse & Mel Stanfill / University of Central Florida

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

@FlowTV Conversations…

@FlowTVFollow

FLOW
FlowTVFLOW@FlowTV·
6 Mar

Monday, Flow day!! Volume 29.05 is now live on the website. ! Head on over to http://flowjournal.org to read the first installment of work by @bimmbles , @trilliz, @kingisafink, @influencerlabor, and @westemilye!

Reply on Twitter 1632773532873531392Retweet on Twitter 163277353287353139211Like on Twitter 16327735328735313928Twitter 1632773532873531392
FlowTVFLOW@FlowTV·
22 Feb

New in Over*Flow: @rouselaurenc and @melstanfill present the results of a survey of users of popular fan fiction hosting site http://archiveofourown.org, providing updated statistics on fan fiction readers and writers. https://www.flowjournal.org/2023/02/fan-demographics-on-ao3/

Reply on Twitter 1628530472077623299Retweet on Twitter 162853047207762329925Like on Twitter 162853047207762329930Twitter 1628530472077623299
FlowTVFLOW@FlowTV·
14 Feb

Happy Flow-entines Day! We are proud to announce the release of special issue Volume 29.04, "The Struggle Is (for) Real: Cultivating Authenticity in the 'BeReal' age"! Thanks to guest editors @TomDivon and @disabledphd. Read the full issue here: http://flowjournal.org

Reply on Twitter 1625607060451917824Retweet on Twitter 162560706045191782412Like on Twitter 162560706045191782434Twitter 1625607060451917824
Load More...

Popular Posts

  • The Devil in the Details: User Tracking Is Hurting More Than Our Privacy, It’s Doing Serious Damage to Public-Interest Media, Too.
    Josh Braun / UMass Amherst
    February 22, 2019 278 comments
  • Pass the Remote: Online News

    June 10, 2005 197 comments
  • Legal Fictions

    June 10, 2005 154 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 102 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 97 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Globalization Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media streaming Technology Television UK Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Whiteness Youth Culture