Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Patricia Pisters / University of Amsterdam

Patricia Pisters is professor of film at the Department of Media Studies of the University of Amsterdam. She is one of the founding editors of the Open Access journal Necsus: European Journal of Media Studies. Publications include The Matrix of Visual Culture: Working with Deleuze in Film Theory (Stanford University Press, 2003); and The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture (Stanford University Press, 2012). Her book New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror will appear with Edinburgh University Press in 2020. She writes about the role of film and media in respect to (collective) consciousness; psychopathologies of contemporary media culture; and on the idea of filmmaker as metallurgist and alchemist of our times. See for articles, her blog, audio-visual material and other information also www.patriciapisters.com .

#FrontlineMessages
Patricia Pisters / University of Amsterdam

April 14, 2020 Patricia Pisters / University of Amsterdam

#Frontberichten allows those who work on the front lines to broadcast their messages to the Netherlands and the world. A striking effect of the COVID-19 crisis that first began in 2020 is an increase of both interpersonal social media and mass media such as national broadcasting. In The Netherlands the news and talk shows on public television have had many […]

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

Reply on Twitter 1985390289679159659 Retweet on Twitter 1985390289679159659 Like on Twitter 1985390289679159659 Twitter 1985390289679159659
flowtv FLOW @flowtv ·
29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

Reply on Twitter 1983623071455203427 Retweet on Twitter 1983623071455203427 Like on Twitter 1983623071455203427 Twitter 1983623071455203427
flowtv FLOW @flowtv ·
28 Oct

Guillermina Zabala Suárez asks: Can digital media become a device to create awareness of health issues in out communities?

Read it here: http://tinyurl.com/mt5secz3

Reply on Twitter 1983246102254989449 Retweet on Twitter 1983246102254989449 Like on Twitter 1983246102254989449 Twitter 1983246102254989449
flowtv FLOW @flowtv ·
30 Jul

In a new essay, @LaurelPRogers examines the role of the fanboy auteur in HBO's backstage comedy "The Franchise," which satirizes Hollywood's superhero industrial complex. Read: https://www.flowjournal.org/2025/07/fanboy-auteur-hbo-franchise/

Reply on Twitter 1950653050278105567 Retweet on Twitter 1950653050278105567 1 Like on Twitter 1950653050278105567 6 Twitter 1950653050278105567
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 91 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture