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A Critical Forum on Media and Culture

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A Critical Forum on Media and Culture

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Nicole Erin Morse / Florida Atlantic University

Nicole Erin Morse is an Assistant Professor of Media Studies and Director of the Center for Women, Gender, and Sexuality Studies at Florida Atlantic University. Their research has been published in Feminist Media Studies, Porn Studies, Jump Cut, Discourse, and elsewhere, and their book Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art is being published by Duke University in 2022.

Over*Flow: “It’s Not Steroids, It’s Testosterone!”: Deconstructing Gender and Sex in Bros (2022)
Lauren Herold / Kenyon College and Nicole Erin Morse / Florida Atlantic University

September 20, 2023 Nicole Erin Morse / Florida Atlantic University Leave a comment

Herold and Morse reassess the “bad object” status of the 2022 semi-satirical gay rom-com Bros and discuss its deconstruction of cis gay masculinity.

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Were You Looking at the Woman in the Red Dress? The Male Gaze in The Matrix
Nicole Erin Morse / Florida Atlantic University

May 16, 2022 Nicole Erin Morse / Florida Atlantic University Leave a comment

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze.

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Visual Pleasures in Magic Mike’s Cinema
Nicole Erin Morse / Florida Atlantic University

December 7, 2021 Nicole Erin Morse / Florida Atlantic University One comment

Nicole Erin Morse challenges the common understanding of Magic Mike (2012) and Magic Mike XXL (2015) as films that construct a female gaze by examining how the films establish a male homosocial gaze.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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