Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Michele White / Tulane University

Michele White is a Professor of Internet and New Media Studies in the Department of Communication at Tulane University. Her monographs consist of The Body and the Screen:

Theories of Internet Spectatorship
(MIT, 2006); Buy It Now: Lessons from eBay (Duke, 2012); Producing Women: The Internet, Traditional Femininity, Queerness, and Creativity (Routledge, 2015); Producing Masculinity: The Internet, Gender, and Sexuality (Routledge, 2019); and Touch Screen Theory: Digital Devices and Feelings. (MIT, 2022). She co-edited the Feminist Media Histories issue on Genealogies of Feminist Media Studies (2018) and Anti-Feminisms in Media Culture (Routledge, 2022). Some of her ongoing research concerns are online narratives about expertise, Internet aesthetics and beauty cultures, the persistent digital authorization of misogyny and hate, and how notions of touching and feeling are employed to elide digital interfaces and representations.

Viewing Women Readers: Digital Culture and Feminist Close Reading
Michele White / Tulane University

May 2, 2023 Michele White / Tulane University Leave a comment

Dr. Michele White shows how feminist forms of close reading are a productive method for studying digital media and culture.

Read more

Touching Feeling Hands: Gender, Race, and Digital Devices
Michele White / Tulane University

December 7, 2022 Michele White / Tulane University Leave a comment

Dr. Michele White examines the metaphors and iconography of hands on digital devices along the axes of race, gender and accessibility.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

Reply on Twitter 1987948366630695071 Retweet on Twitter 1987948366630695071 Like on Twitter 1987948366630695071 Twitter 1987948366630695071
flowtv FLOW @flowtv ·
6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

Reply on Twitter 1986568385329520868 Retweet on Twitter 1986568385329520868 Like on Twitter 1986568385329520868 Twitter 1986568385329520868
flowtv FLOW @flowtv ·
5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

Reply on Twitter 1986138451927048203 Retweet on Twitter 1986138451927048203 Like on Twitter 1986138451927048203 Twitter 1986138451927048203
flowtv FLOW @flowtv ·
4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

Reply on Twitter 1985831190905978886 Retweet on Twitter 1985831190905978886 Like on Twitter 1985831190905978886 1 Twitter 1985831190905978886
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 92 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture