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Michael Kackman / University of Notre Dame

The Intimate Geographies of Flow
Michael Kackman / University of Notre Dame

September 1, 2016 Michael Kackman / University of Notre Dame Leave a comment

Faculty advisor to the inaugural Flow conference, Michael Kackman, reflects on the importance of place and space for cultivating meaningful engagement and lasting community, and suggests ways for Flow to continue fostering both.

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Looking Back at Looking Back
Michael Kackman / University of Notre Dame

September 28, 2014 Michael Kackman / University of Notre Dame One comment

Michael Kackman outlines the conversation between David Milch, Michael Zinberg, Howard Rosenberg and Dr. Horace Newcomb at the second Core Conversation of the 2014 Flow Conference.

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Waking People Up, pt. II: Because There’s a War on For Your Mind
Michael Kackman / Independent Scholar

March 27, 2012 Michael Kackman / University of Notre Dame One comment

Radio and the move of fringe politics into the mainstream.

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Waking People Up! Conspiracy Radio and the Contemporary Public Sphere
Michael Kackman / Independent Scholar

October 16, 2011 Michael Kackman / University of Notre Dame 7 comments

How contemporary pirate radio may be changing media studies definitions of “alternative media” and “counter-publics” in a particularly fragmented social and political climate.

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Flow Favorites: Quality Television, Melodrama, and Cultural Complexity
Michael Kackman / University of Texas – Austin

March 5, 2010 Michael Kackman / University of Notre Dame 22 comments

This piece sparked a vigorous discussion within the television studies community with its call to think more rigorously about why, exactly, we are drawn to aesthetically and narratively complex TV.

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Quality Television, Melodrama, and Cultural Complexity
 Michael Kackman / University of Texas – Austin  

October 31, 2008 Michael Kackman / University of Notre Dame 15 comments

Looking to the ways in which Quality TV (and Lost in particular) negotiates the territory between melodrama and elitist aesthetics.

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Collaboration, Community, and Interdisciplinarity

November 17, 2006 Michael Kackman / University of Notre Dame Leave a comment

by: Michael Kackman / University of Texas-Austin
Like most interesting things, the Flow Conference was an experiment. And like most experiments, it generated some unexpected results.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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flowtv FLOW @flowtv ·
6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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flowtv FLOW @flowtv ·
4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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Popular Posts

  • Pass the Remote: Online News

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    Reighan Gillam / University of Michigan
    March 5, 2013 92 comments
  • Awkward Conversations About Uncomfortable Laughter

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  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

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